Wednesday, 5 October 2011

Day 4 : Ardha utkatasana (half squat) plus bandhas practice notes from Vinyasa Krama On your feet sequence



VIDEO LINK
I was very ....suspicious of the bandhas for a long time, Ashtangi's seemed to refer to them as if they were pixie dust. You want to lift up in utpluthi, "engage the bandhas". You want to jump back, "engage the bandhas", you want to get to the end of the sequence without turning into quivering mush, "ENGAGE THOSE BANDHAS MARINE". I was also 'slightly' resistant to anything that seemed to hint of 'new age'. I think I tended to lump the bandhas in with the chakras, all this talk of energy locks...., no thanks.

I still don't know if I buy into the energy lock idea, jury is still out on that one but I am convinced there's something going on with the bandhas, if only on a muscular level. Yesterday in Day 3's uttanasana subroutine I mentioned how Ramaswami uses the analogy of a fishing rod. Engaging the bandhas feels like it's holding firmly the base of the spine just as you would hold the handle of a fishing rod. It helps to make your backbends more secure and I would say your forward bends also.

In Yoga for the Three Stages of Life, Ramaswami writes about the bandhas in the context of Utkatasana, today and tomorrows subroutines.

Jalandhara bandha

'There are three important bandhas. the first is jalandhara bandha, or locking the chin against the breastbone. This may be done during kumbhkas ( breath retention) and whenever the the posture requires the chin to be locked, which is normally the case during forward bends and when keeping the back erect. In backbends and twisting postures it is not possible to do jalandhara bandha'. p127

Mula and Uddiyana bandha

'The other two bandhas, however, should be practiced in most of the asanas, especially after exhalation. The first is mula bandha, which means "constricting of the anus" It is done after a complete exhalation. After the exhalation is over, the abhyasi (yoga student) should anchor the body in the asana he or she is in and then slowly and deliberately close the anus and draw in the rectum by contracting the perineal and surrounding muscles of the pelvic floor. Then as if in a continuous movement, the abdomen, including the navel, is drawn in, pushing up the diaphragm into the now almost empty chest cavity, which is then called uddiyana bandha ( drawing in of the diaphragm)... This technique is one of the specialities of yogic breathing' p127

Utkatasana is one of the best postures for first getting to grips with with the bandhas, others are downward dog and tatkamudra ( pond gesture ) from the Supine sequence. 

Ardha Utkatasana comes up in Ashtanga and I practiced it for a couple of years without really thinking about it. It's one of the, how should I say, least ....complicated postures. There are no binds, no twists, you just squat a little. It's hard work but then in Ashtanga your only holding it for five breaths and to be honest it was a bit of a relief after the postures that had gone before. Later, when I began practicing 2nd series and had to do pasasana, the full squat and bind, I began to take the half squat more seriously, started to think about my alignment more, about using the badnas to help with balance,make it more stable.

I had a big shock recently when I came across Ramaswami using Utkatasana as an example of how to work towards developing the parameters of yoga asana as introduced by Patanjali in the yoga sutras, steadiness and comfort ( sthhira and sukha).

'When one is able to stay in the posture (utkatasana) for three to six breaths, then one should slowly increase the time to complete a stipulated number of breaths. Thereafter, one should remain in the posture for a predetermined number of breaths chosen by the practitioner or teacher, or for a fixed persiod, say three to five minutes. Then one's practice should be aimed at reducing the number of breaths while remaining in the posture for the same duration. for instance one may take a total of twenty breaths while in the posture. Later on, it may be possible to remain in the posture steadily and comfortably (sthira and sukha) for five minutes with perhaps only ten breaths. This is one method for attaining asana siddhi (perfection in posture) that one can test of oneself. Having achieved this level of comfort in the posture, one can then introduce the band has, which will increase the time taken for each breath. P 127

 I posted on this five minute Utkatasana HERE, hard work, what you don't see in the video is the pool of sweat that poured from my forehead after three minutes.

Today I practiced the half squat, Ardha Utkatasana. In ashtanga we practice it arms above our head, palms together. In Vinyasa Krama Ramaswami gives us four arm variations but you could probably use the other hand variations from Day 1, as well. This morning, with the focus on the subroutines this project is giving me, I included all the variations below. I entered and exited each of the variations on the breath, down on the inhale back up on the exhale, twice then on the third time held the posture for five long slow breaths. Just for luck I then did the first posture again and tried to hold it for five minutes, I managed three and that seemed plenty.

In this series of posts I'm focusing on each of the subroutines, doing them as in the book with all the variations and using Ramaswami's guidelines for developing sthhira and sukha, as outlined above. I'm staying longer, engaging the badhas more fully, looking to slow the breath and employ breath retention, really milking the subroutines for all they've got.

That would be one way to practice, pick one or two subroutines and practice them in this way, include Ramaswami's key postures, Paschimottanasana, shoulder stand and headstand and you probably have an hour practice.

My own approach is to include some but not all of the available vinyasas (variations) of a subroutine in my morning practice. I tend to do a shortened version of the On your feet sequence just as on Ramaswami's TT course. We learned the whole sequence over the first couple of days but then for the next four weeks just did a shortened version. 

This morning I did a few of the hasta variations from Day One and a couple of the twists from Day two and about half of Day three. This saved me time for the full ardha Utkatasana subroutine above. I didn't practice the full squat (saving that for tomorrow) but moved on to some of the other Triangle and On one leg vinyasas, again not all the options available in the full subroutines. After standing I did most of Bow sequence then some seated before moving on to the inversions followed by some baddha konasana and lotus work.

One thing that is new in my practice and that I plan on keeping up is to aim to practice at least one subroutine fully and with all the variations available, a different one every day perhaps, as in this series of posts.



NB: These are practice notes that will be tidied up and put into the new edition of my Vinyasa Yoga Practice Book along with the current sequences and subroutines. The book can be freely downloadedHERE. There is a page on Facebook HERE with all the latest sheets and updates. This book is in no way a substitute for Ramaswami's Complete Book of Vinyasa Yoga.

Monday, 3 October 2011

Day 3 : Forward bend to backbend subroutine practice notes from Vinyasa Krama On your feet sequence

VIDEO LINK

Over on the Vinyasa Krama blog I'm working through the subroutines from my VK practice book. This one takes us from forward bend to backbend and I thought some it wouldn't be out of place here.

Big important subroutine this, deepest forward bend to one of the deepest backbends.

Forward bend first.

Most of the notes I add to these posts will be little tips and hints that have come up in my practice while working with the subroutines over the last couple of years or perhaps carry overs from the Ashtanga community that might be useful in the Vinyasa Krama context. This one though concerns safety. 

Engage your bandhas and stick your backside out!

When I practice forward bend I have the seated forward bend, paschimottanasana, in mind. Ramaswami would encourage us to stretch out of our hips as we folded over. This was the only other posture I remember him giving a hands on assist. He would come behind us, put his hands above the coccyx, push the sacrum forward and keep pushing forward while we were in the pose,  then he would encourage us to take turns doing the same on each other. 

I'm also reminded of a video I saw of Dharma Mittra demonstrating paschimottanasana. He would have you sit with your knees slightly bent and then shuffle back so your sitting forward on your sit bones which helps to flatten the legs, taking your backside further and further back before folding over.

All these are reminders that the forward bend is happening form the hips rather than starting at the spine. In that first picture above, stretch up out of your pelvis as before and then as you bend over from the hip really stick your backside out, push it back, it's kind of like a counterweight, same thing happens in a headstand when you bring your legs down into inverted staff, your backside goes further and further back, if it didn't you'd fall out of your headstand.

This takes a lot of the pressure off your back.

Notice the first picture is Ardha Uttanasana, half forward bend. Ramaswami would have us fold to there and then come back up, we might repeat that 2-6 times and that might be as far as your comfortable going. You could then do the other hand/arm variations in the half bend rather than the full. Of course you could work into it too, star with disa uttanasana (sanskrit check, quarter forward bend?) or less and work up to half bend.

When I started yoga five years ago my hands could only reach half way down my shins.

Another way to take take some pressure of your back in forward bending is to engage the bandhas, more  on these in a future post ( there are notes at the beginning of my book) Simply put for now, contract your anus, draw it up, with some practice you'll feel like your gripping the base of your spine, Ramaswami has a fishing rod analogy, holding the base of the spine like the handle of a fishing rod. You should feel your stomach come back and up a little too, encourage that, suck it back a little further, up a little more. Bandhas help give you a firm, secure base to begin your bending whether forward or back.

Backbending.

The bandhas help with the backbends too, think fishing rod whenever you do backbends and hold firmly onto the base of your spine.

In Ashtanga we call the Tiryang mukha Uttanasana mini subroutine we see here a dropback and there are hundreds of blog posts on it (fifty odd on mine alone). It's challenging and something to work towards. Unless your eight in which case you'll probably drop back into it without even thinking.

You might want to work at urdhva Danurasana in the bow sequence first, become comfortable there and strong in your arms and shoulders lifting up into it there before trying to drop back into it here. 

If this is a posture that's available to you then a couple of tips that have worked for me lately are..

1. Ramaswami's fishing rod analogy above, engaging the bandhas so it feels like your gripping the base of your spine and holding on all the way down and back up.

2. Remembering that this is a back stretch rather than back bend, really stretch up and lift out of your pelvis. The backstretch begins in your toes and ends in your fingertips.

3. Just as with the forward bend don't think of this as a spinal bend but rather that it begins at the hips. Where you pushed your hips back in Uttanasan above, here you push your hips forward, as far forward as possible.

4. It's good to work at the wall as you practice this. Take a few steps out from the wall and drop back as far down the wall as feels comfortable and use the wall to push off to come back up, remembering to start the return motion by shifting your hips forward.

keep working a little further down the wall.

I still find dropping back near the wall for the first couple useful. I can do it without it but it takes the pressure off for the first couple of these and thus any strain. I might tap lightly off the wall coming up the first one or two, 

I tend to do five to seven of these. The first couple I tap off the wall the next three I just come up to standing and then drop back again. The last two I'll come up and then fold over into my forward bend. 

5. be mindful when moving from the backbend to the forward bend, don't forget to go from shifting your hips forward for the backbend to shifing them back, sticking your backside out for the forward bend

6. Ramaswami seems to have you doing the backbend with your feet together as in most of the On your feet sequence. I find this challenging, it's unstable. I've done it that way but I prefer to have my feel t a little apart.

7. Ramaswami also talks about coming up on the exhalation. I've always done it on the inhalation although coming up on the exhalation is interesting, I'll often do both.

8. Feet feet turned out or lifting heels? Both are probably bad habits. I used to turn my feet out now I keep them closer together and parallel but lift my heels a little as i drop back the last little bit and just as I come up.

9. If your about to drop back for the first time, your confident in your urdhava danhurasana, you've been dropping back half way to the wall for a little while and as you work on your backbend you can see the floor, your feeling brave. OK, one last tip, KEEP YOUR ARMS STRONG. The tendency is to collapse your arms a little as you land which means your the top of your head bangs against the mat ( see HERE). If you keep your arms strong as your hands touch the mat you should be fine.

10. Type backbending or drop back into my Ashtanga blog, you'll find a lot of posts with all kinds of ideas. most of these come from the community, tips and hints that have worked for others.

Here are some posts on back bending you might find useful






NB: These are practice notes that will be tidied up and put into the new edition of my Vinyasa Yoga Practice Book along with the current sequences and subroutines. The book can be freely downloadedHERE. There is a page on Facebook HERE with all the latest sheets and updates. This book is in no way a substitute for Ramaswami's Complete Book of Vinyasa Yoga.

Day 2 : Parsva-bhangis ( side movements) practice notes from Vinyasa Krama On your feet sequence

VIDEO LINK


After the backbends in Day 1's hasta subroutine I tend to do a variation of the fourth picture over on the left. I take my arms up twist to the left and then lean back, a kind of twisting variation of the hasta backbends. It was good then this morning to spend some time on the full twisting subroutine. Parsva bhanga itself, that leaning over to the side posture in the first two pictures, was something I neglected for a long time, I just plain forgot about it. Since rediscovering it a few months back I include it every morning, getting much deeper into the posture now than in the pictures on the left.

Balance is a problem in all of these, the trick I find is to really ground the opposite foot from the direction your twisting. So if your twisting to the right as in pictures 3, 5 and 7, press the LEFT foot down into your mat. However, as you come back to centre it's a good idea to relax the foot little by little as you turn back otherwise it sends you off balance.

Something I noticed this morning was the tendency to allow the opposite shoulder to the directing your twisting drift in a little. So again, if your twisting to the right you need to be mindful of your left shoulder, make sure you keep both shoulders back ( though allowing the shoulder blades to drop down the back, don't bunch), you should feel as if both your arms are being stretched outward as you turn on the big inhalation. Ramaswami talks of expansive movements.

My notes on these subroutine posts are just practice notes in the sense of my own experience of practicing the postures and sequences. They're no substitute for Ramaswami's more detailed instructions.

After this subroutine this morning I carried on through the rest of the on your feet sequence, then into some standing before moving on to the bow sequence, some drop backs and a little of meditative so as to include Kapo. After the backbends I used paschimottanasana as a counter pose and then carried on into the shoulder stand and it's prep, a long headstand and some baddha konasana and lotus work.

NB: These are practice notes that will be tidied up and put into the new edition of my Vinyasa Yoga Practice Book along with the current sequences and subroutines. The book can be freely downloadedHERE. There is a page on Facebook HERE with all the latest sheets and updates. This book is in no way a substitute for Ramaswami's Complete Book of Vinyasa Yoga.

Sunday, 2 October 2011

Day 1 : Hasta Vinyasas ( hand/arm variations) practice notes from Vinyasa Krama On your feet sequence

My plan over the next couple of months is to work through Ramaswami's subroutines from my practice book and then at the end of the month upload some of the notes into an updated edition. By focusing on one particular subroutine, most likely in the evening, I can spend a little more time with it, repeat postures, slow it down, seek steadiness and comfort.

This morning I had a light practice, core vinyasa karma postures. I started with the Hasta Vinyasas in tadasana below from the On your feet sequence then pretty much went straight into a long paschimottanasana. After some table poses as prep I added five and ten minute, shoulder stands and headstands before settling down to some pranayama, pratyaha, 108 jape mantra meditation and a ten minute savasana while listening to Ramaswami's chanting.


VIDEO LINK
Hasta vinyasas is the first subroutine I include in my Vinyasa Yoga Practice Book, it's from the On your feet sequence and is how I start my practice every morning whether I'm practicing Ashtanga or Vinyasa Krama. 

Two things I particularly remember from Ramaswami's TT course in LA

Balance
Ramaswami would have us take a moment while standing to focus on our balance, he would have us sway slightly forward and back and to the sides and then have us bring our hips slightly forward, makes such a difference with all the upcoming arm movements.

Raising the hips.
This was one of only two times I remember Ramaswami giving hands on adjustment and encouraging us to give the same to each other. He would have us stand behind each other, put our hands on our partners hips, then as they began the arm movements he would have us lift up their hips, higher and higher as they stretched and then hold the hips up as the arms lowered and then raised again.

This raising of the pelvis, and aiming to keep it raised throughout most of the On your feet sequence has been a important focus of my practice ever since. I raise my pelvis on that long slow inhalation and then when it won't lift any further I try to stretch out of my pelvis altogether and with each movement I try to bring it back up and keep it there. 

This can be a surprisingly intense and focused subroutine.

This lifting out of the pelves gets carried over into other subroutines and sequences, seated and Asymmetric come to mind right from the start in Dandasana (staff pose).

Tomorrow : Parsva-bhangis ( side movements) on your feet 

NB: These are practice notes that will be tidied up and put into the new edition of my Vinyasa Yoga Practice Book along with the current sequences and subroutines. The book can be freely downloadedHERE. There is a page on Facebook HERE with all the latest sheets and updates. This book is in no way a substitute for Ramaswami's Complete Book of Vinyasa Yoga.

Day 1 Vinyasa Krama Subroutines practice guidelines

Vinyasa Karma practice notes and guidelines.
NOTES from Ramaswami's Complete book of Vinyasa Yoga

Vinyasa Krama =
Movement and Sequence methodology


'Each of the important postures are practiced with elaborate vinyasas (variations).'

'Each variation is linked to the next one by a succession of special transitional movements synchronised by the breath'


PARAMETERS 
(from Yoga sutras 2.46) 

STEADINESS (sthira)
COMFORT (sukha)
SMOOTH + LONG BREATHING ( pratyatana sithila)

HOW TO PRACTICE

BREATHING?

'Smooth inhalations accompanying expansive movements'

BREATH RATE?

We average 15 breaths a minute
In our asana practice we aim for 4-6 breaths a minute.
This could come down to as little as 2 per minute in some postures e.g. inversions

STYLE OF BREATH?

UJJAYI
Breath out making a hahhhhhh sound
now breath in making the same sound 
now breathe in making the same hahhh sound.
By constricting the throat a little more a little less we can make the hissing sound stronger or lighter/louder or softer.
This is Ujjayi

The breath connects the mind with the body.

HOW?

Direct your attention inside your chest

Locate where you feel your breath centred, where inhalation appears to start and where exhalation converges.

Focus attention here for a few breaths, then engage ujjayi, a rubbing sensation in the throat.

finally connect your breath to your movements.

The flow of breath is like the flow of oil, smooth and uniform.

HOW LONG DO WE STAY IN POSTURES?

Many postures may be repeated 3-6 times (often going a little deeper into the pose each time).

Stay for 2-6 breaths

Some postures have the option of extended stays
EG. Paschimottanasana 5-10 minutes
Maha Mudra 5 minutes each side
Shoulderstand 5-10 minutes
Headstand 10-20 minutes

ANATTA SAMAPATTI ?

Focus mentally on the breath
Asana with variation and coordinated breathing

HOW LONG TO PRACTICE?
Krishanamacharya would have Ramaswami practice 40 minutes of asana and 20 minutes of Pranayama, Meditation or Chanting.

My own practice?

MORNING 
90 minutes asana
20 minutes pranayama
15 minutes meditation

EVENING
20 minutes asana
20 minutes pranayama
20 minutes meditation

HAVE A PLAN!

BANDHAS?

As we become more confident with our asana we should begin to work on engaging the bandhas as these can help to steady us in our postures.

Jalandhara bandha

'There are three important band has. the first is jalandhara bandha, or locking the chin against the breastbone. This may be done during kumbhkas and whenever the the posture requires the chin to be locked, which is normally the case during forward bends and when keeping the back erect. In backbends and twisting postures it is not possible to do jalandhara bandha'. p127

Mula and Uddiyana bandha

'The other two bandhas, however, should be practiced in most of the asanas, especially after exhalation. The first is mula bandha, which means "constricting of the anus" It is done after a complete exhalation. After the exhalation is over, the abhyasi (yoga student) should anchor the body in the asana he or she is in and then slowly and deliberately close the anus and draw in the rectum by contracting the perineal and surrounding muscles of the pelvic floor. Then as if in a continuous movement, the abdomen, including the navel, is drawn in, pushing up the diaphragm into the now almost empty chest cavity, which is then called uddiyana bandha ( drawing in of the diaphragm)... This technique is one of the specialities of yogic breathing" p127



PERFECTION IN POSTURE?

'When one is able to stay in the posture (utkatasana) for three to six breaths, then one should slowly increase the time to complete a stipulated number of breaths. Thereafter, one should remain in the posture for a predetermined number of breaths chosen by the practitioner or teacher, or for a fixed persiod, say three to five minutes. Then one's practice should be aimed at reducing the number of breaths while remaining in the posture for the same duration. for instance one may take a total of twenty breaths while in the posture. Later on, it may be possible to remain in the posture steadily and comfortably (sthira and sukha) for five minutes with perhaps only ten breaths. This is one method for attaining asana siddhi (perfection in posture) that one can test of oneself. Having achieved this level of comfort in the posture, one can then introduce the band has, which will increase the time taken for each breath. P 127


NB: These are practice notes that will be tidied up and put into the new edition of my Vinyasa Yoga Practice Book along with the current sequences and subroutines. The book can be freely downloadedHERE. There is a page on Facebook HERE with all the latest sheets and updates. This book is in no way a substitute for Ramaswami's Complete Book of Vinyasa Yoga.