Wednesday, 16 October 2013

How to chant the Yoga Sutras - Ramaswami's Traditional Chanting tutorials plus transliteration, articles and books.

Ramaswami chanting the Yoga Sutras in full



Ramaswami's traditional tutorial.
He chants the sutra then repeats it softly while you repeat, breaking it up into manageable 'portions'

Chapter I
Samadhi Pada

Chapter II
Sadhana Pada

Chapter III
Vibhuti Pada

Chapter IV
Kaivalya Pada

FULL TRANSLITERATION
 OF PATANJALI's YOGA SUTRAS


from RONALD STEINER and TEAM at ASHTANGA YOGA INFO
http://www.ashtangayoga.info



PATANJALI'S YOGA SUTRAS





SAMADHI PADA 

समाधिपाद

Samādhi-Pāda

YOGA-SUTRA 1 – SAMADHI PADA: ABOUT ENLIGHTENMENT

ON ENLIGHTENMENT





SADHANA PADA

साधनपाद

Sādhana-Pāda

YOGA-SUTRA 2 - SADHANA PADA: ABOUT THE PRACTICE

ON PRACTICE



VIBHUTI PADA

विभूतिपाद

Vibhūti-Pāda

YOGA-SUTRA 3 - VIBHUTI PADA: ABOUT THE RESULTS

ON RESULTS




KAIVALYA PADA

कैवल्यपाद

Kaivalya-Pāda

YOGA-SUTRA 4 - KAIVALYA PADA: ABOUT LIBERATION

ON LIBERATION



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Ramaswami has been a student of Prof. Krishnamacharya for over two decades in the theory and practice of Yoga. Apart from Yogasanas and Pranayama, he has studied yoga texts such as Patanjala Yogasutras, Samkhya Karika, Hathayoga- pradipika. UpanishadsasChandogya,Taithiriya, Svetasvatara,Isavasya,the Gita etc., adhyayana(chanting) of the whole of Taithiriya Aranyaka of Yajur Veda and Upanishads, Mantraprasanam etc., all from the Acharya. He has also had yoga lessonsfrom Sri T. K. V. Desikachar, and has written a seriesof articles on Yoga, and also contributed to a few journals. S. Ramaswami holds a masters degree in Industrial Engineering and Management from Oklahoma State University, and has had teaching experiencein Indian universities. He has been teaching yoga practice and also the texts for over fiveyears.


David Hurwitz (Author), Srivatsa Ramaswami (Contributor)

This is a brief guide to the Yoga Sutras of Patañjali. It is brief by way of being practical. After stating the goal of Yoga, it is basically an exposition of the eight limbs of Yoga Patañjali gives in Chapter two and the beginning of Chapter three of his Yoga Sutras.




Patanjali’s Yoga Sutras: Based on the Teaching of Srivatsa Ramaswami by Pam Hoxsey
Book and CD by Pam Hoxsey
Local author and yogi, Pam Hoxsey, learned to chant the Yoga Sutras from Srivatsa Ramaswami, who learned them from his teacher. T. Krishnamacharya. They met one-on-one for two hours each morning in two-week intervals, repeated over three years. They chanted the sutras, and then Ramaswami would discuss their meanings. This book--and the CD--is the result of their meetings together.
This version of the Yoga Sutras is comprehensive. Each sutra is written as a phrase, followed by a word-by-word translation, and then a summary of its meaning. In addition, a “tacit question” is often proposed to suggest what topic is being explained. Sometimes there are additional short “notes” to further aid in understanding.
At the end of the book is Ramaswami’s handwritten Sanskrit, followed by the chant phrases written in English with red and blue markings to indicate where the pitch goes up and down. And then there’s the CD by Pam, who has a beautiful voice, chanting the sutras. So you can both read the Yoga Sutras and learn to chant them as they were originally chanted and passed on through the centuries before Patanjali wrote them down.
You can order the book directly from Pam by calling 847.328.4246.

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Friday, 11 October 2013

Ashtanga Vinyasa and Age : Yoga for the Three Stages of Life

Beatrice Addressing Dante (by William Blake) - Beatrice ( Dante's beloved) as guide in Dante's Paradiso.
In his excellent first book Ramaswami presents the three different stages of life when different approaches to yoga may be considered appropriate.

Srivatsa Ramaswami Yoga for the Three Stages of Life Amazon
Amazon

Notice that in youth a focus on asana is considered appropriate. Worth bearing in mind perhaps whenever your tempted to claim that practicing asana is NOT yoga. And, if you become criticised for not exploring pranayama or meditation or dipping into yoga philosophy but rather just focusing on your asana practice then you are in fact following the program, so just smile politely.

Mid-life we may want to reign the asana practice in somewhat, throw in some pranayama, an overall practice that preserves our health and well being. We know this of course, advanced asana practice five days a week (Primary on Fridays) is likely to take it's toll on our bodies, little injuries can come up with more regularity, makes sense to reign it in a little. Of course fifty is the new forty, when does 'mid-life' begin. Also, what constitutes Advanced asana? If you've been practising asana for some time your body may well have opened up and developed a degree of flexibility such that what many may consider an advanced posture is merely, for you, a natural progression of a more basic asana. And as we all no doubt out realise sooner or later, all asana are advanced asana, it just depends on what we bring to the posture and it's vinyasa, whether we bring out it's innate advancenessness. Manju mentioned ( one of his world-shattering throw away lines) that all asana are mudras ( or may be considered so if approached that way).

But here's the thing, youth can apply to age but perhaps also to our stage upon our yoga path ( Jois uses the Yoga as Path metaphor, so I'm not being unnecessarily cheesy here ), when we first begin to explore Yoga then we may be considered to be youthful in regards to the practice, young in the practice as it were and so a strong asana focus may well still be appropriate. The practice of asana can form discipline, focus, attention, preliminaries perhaps for the other stages of the 'yogic life'.

That first stage can go on a long time too, from childhood to mid-life, you get to focus on asana and just asana ( actually including breathing practices) for thirty odd years perhaps before your 'required' to worry about anything else. Of course you can still dip into some good books, the shastras, explore some pranayama and some meditative practices, nothing wrong with that, in fact it may well inform your asana practice somewhat, deepen it, but your not necessarily obliged to go there (but then why wouldn't you). Focusing on your asana only, on 'just asana' is considered appropriate, it is yoga.

For me personally at fifty with many years of hard travel and labour behind me ( those odd, physically demanding, jobs  picked up while travelling and later working my way through Uni, building walls, roads, houses etc.) my body carries a lot of old nagging injuries, makes sense to reign my practice in a little. I'm more than happy with my Ashtanga Primary and 2nd series with the odd Advanced posture thrown in for seasoning (Manju's approach). Besides, less feels more.

And I relish pranayama and what a joy to look ahead to decades (with luck) of study, reflection and contemplation, the more mediative practices to accompany my beloved asana practice....

And yet, perhaps those stages ebb and flow, I was feeling I was in a mid-life stage of practice and yet, just recently, there's been a freshness to my asana practice as if that mid-life stage is feeding back into the more youthful stage, revitalising it.... perhaps the stages don't follow each other but are layered one on top of the other, nutrients filtering down, revitalising, giving new growth....

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Notes: 
Of course 'Nathamuni's Yoga Rahasya' was actually written by Krishnamacharya who clearly retained a profound love of asana pretty much to the day he died (aged 100), but then he also had a great love of study and pranayama from an early age. And do we really need any justification for our asana practice.


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And here's some Purcell, Dido's lament, When I'm laid in the Earth, from the most allegorical of operas Dido and Aeneas (stick with it for the Remember me at the end)