Friday, 31 October 2014

Pattabhi Jois with Sharath, full Led Ashtanga Primary series in 2000 - Good sound


Thought I had seen this video before but can't find it on anymore on Youtube.

Is this in Paris, London?

Wherever it is, the sound is a lot better than I remember.

Download it, turn it into an mp3 and your all set for your Friday Led home practice.

I might explore and engage in ashtanga archaeology the rest of the week but Friday Primary remains pretty sacred.

The Socks look very warm.



This comment's just come in from Gilad Harouvi of http://www.ashtanga-yoga-israel.com, I'd asked him if this was the video we'd discussed over a frappe in Rethymno this summer

Hello Anthony! yes, you are correct, I am in that room- check out at 24:00 mins into the video, on the left hand side, I am videoing the class with my old video 8 camera. The retreat was held at 2000 in Calais, France, at Philip Mons's farm. it was July 25th (one day before Guruji's birthday) and freezing cold. we all bunked at farms around this one, hanging out at Philippe's farm during the day, trying to keep warm....The Shala was a converted Pigs shed, concrete floor, cold as hell. no heating, and in the morning the temp. was about 8-12 degrees C (46-54 F) . During the class the humidity that the Ujjaii breath created was condensing on the freezing floor in puddles. Guruji , 85 AT THE TIME was wearing thick high woollen socks the entire 2 classes. this is the 2nd class of the day. first one was at 06:00, this one started 08:00.I practiced at the 06:00 class' 28 people in each class. The guy in front (no shirt) is Wayne Krassner, and someone was videoing the class for him. once I return from travelling will try to find my video and send you.....BTW, we had a birthday celebration for Guruji the next day, I made a ton of my famous Hummus! and we sang to him "happy birthday" i all the languages in the room(about 10). this video was apparently downloaded from Wayne Krassner's website. 

I'm trying to get hold of Wayne now to check he's happy for me to leave the post up but can't seem to find a current website, here's a link to his Youtube page though https://www.youtube.com/user/WBKAshtangaYoga/featured

he also has a couple of videos on Swami Bua who I posted on here
Swami Bua, contemporary of Krishnamacharya

Wayne also has a Led primary on iTunes
https://itunes.apple.com/us/album/ashtanga-yoga-wayne-krassner/id338406022

Thursday, 30 October 2014

BKS Iyengar : "So I'm saying please don't think of the branch but how the branches touch."

Iyengar 1977

Nice video of Iyengar stressing that he, Pattabhi Jois, Desikachar are all part of the same tree, all come from the same root, I.E. Krishnamacharya's teaching... they may have branched off but ..."don't think of the branch but of how the branches touch".

2:00 "Do you mean to say I haven't done Ashtanga yoga, jumpings? Do you mean to say I have not done in my life? I've done forty years. I've done forty years, not one day, not two days. But what I did... Pattabhi Jois took where my guruji (Krishnamacharya) stopped and he continued that. I said... I threw (?) over what my Guruji taught, is that the end? So what I learnt was, from the movement..., I'm the only teacher of myself..., I said Jumpings is the 'yoga of motion', Vinyasa yoga is the yoga of motion, mine is the 'yoga of action'. I don't want motion, so people not excited by the motion because the external mind gets the vibration but I want the internal mind to get the vibration not the external mind. So that is the jump I made from Krishnamacharya's teaching. So please don't say Iyengar is different, Krishnamacha..., viniyoga is different, Pattabhi's is different..., they are all the same. Root is the same but only it has branched off. So I'm saying please don't think of a branch but how the branches touch".

3:30 Why I left Ashtanga Yoga?

4:00 Why/how he came to alignment... " I'm the one using alignment"

He also talks about how he used to teach Ashtanga or rather 'jumpings', the 'yoga of motion' up until the 70s (See the second video clip from '77), even 80s.

Four and a half minutes in he has one of his teachers in Trikonasana and slips into the vinyasa count "ekam, dve, trini...., you know it, I also know it, it's not that I've forgotten.. I also know it...it's because I still come from the same root".

4:55 Length of exhalation, matching the breath to the exhalation.


Iyengar teaching a 'jumping' class in 1977



Full movie here http://youtu.be/Ki9qos7dWTg

Also, a link to one of the Iyengar sections from the old 1934 black and white footage
http://youtu.be/LUvOuik-g4c

It's curious to me having spent so much time with Krishnamacharya's 1934 book Yoga Makaranda, that Iyengar focusses on the 'motion' aspect of Krishnamacharya's teaching as if that was the main element of the teaching back in the 30s. He goes so far as to talk about this 'motion' speaking to the external mind rather than the internal mind.

And yet for me, Krishnamacharya's Yoga Makaranda is ALL about the internal mind. The movement focusses attention on the breath, the asana is a container for the breath or rather for the space between the breath, the kumbhaka (breath retention), the space in which, for Krishnamacharya, we see god (or  the self/absence of self).

Perhaps it's not surprising, teaching a large class of young boys in the 1930's, he was unlikely to have them stay in postures for long periods or focus on slowing the breath and introducing kumbhakas , better to have them jump about, to move from one posture to the next, keep their attention.

Did he try to teach it once, to have the kids slow their breath, to retain it, did he notice a lot of fidgeting, a lot of wayward, bored drishti....

Krishnamacharya's son TK Sribhashyam does talk about how Krishnamacharya would have the kids stand in an asana and then chant a mantra (an example in the movie breath of gods), the mantra would keep their attention but it would be chanted during a kumbhaka, one way perhaps to introduce kumbhaka into their practice and yet keep the attention.

Is this why Kumbhaka never made it into Iyengar and Pattabhi Joi's Ashtanga, because it was never an element of those large classes they attended, despite the fact it was the main focus of Krishnamacharya's writing at that time. And yet, didn't Krishnamacharya have Pattabhi Jois come to him privately, wouldn't he have taught his longest, perhaps most advanced student kumbhaka, the 'ideal approach to practice' that he presented in his first book (Yoga Makaranda). The book was in Kanada, Pattabhi Jois' own language, surely he had a copy on his desk when he wrote Yoga Mala.

But then Krishnamacharya was also teaching what we now call Vinyasa Krama and 'Vinyoga' back in the 30s, in private one-to-one sessions with students of different ages and fitness (we also see elements of that in Krishnamacharya's inversions in the 1938 footage), that approach seemingly didn't get picked up on by Pattabhi Jois and Iyengar in their main presentation either. Pattabhi Jois did mention however that his teaching exam was Krishnamacharya giving him a patient and saying 'heal him'.

Look to where the branches touch....

***

I was asked this week about the personal practice of those great teachers, post to come on this.


Wednesday, 29 October 2014

more Jessica Walden tutorials, Baddha Konasana, Padmasana, Dwipada Sirsasana ALSO Supta Kurmasana , modified and advanced


Always a delight to come across new tutorials from Jessica on Youtube, here she's linked Baddha Konasana, Padmasana, Dwipada Sirsasana together.

Take a look PERHAPS at my earlier post featuring Jessica Walden

Most sensational Kukkutasana B ever? Plus 25 Laws of Self practice for Ashtangi mums AND Ashtanga Yoga, Pregnancy, Birth and Motherhood

and her youtube page
https://www.youtube.com/channel/UCvA5barv0zSEGtBrUcADVoA







And while we're at it how about the earlier Supta kurmasana tutorials.




UPDATE: New website offered by Lu Duong with interviews containing interviews with Authorised and Certified Ashtanga teachers, it's along the lines of the Guruji book. First interview is with Jessica.

http://www.ashtangaparampara.org/interviews.html

http://www.ashtangaparampara.org/interviews.html

Also, David Keil's  book just arrived, review to come in a week or so but how about some interactive blogging, let me know what YOU would particularly like to know about the book, whether in comments or via fb and I'll try and work it in to the review.


Monday, 27 October 2014

DRISHTI: Ashtanga and Meditation. How should one meditate in 33 bullet points.

Download a pdf version of this whole post from my google docs page for later viewing

Posting this extended version of this earlier post as happily the question continues to come up...

But first perhaps an encouraging thought... 

If we've been linking our breath to our movements in our practice. If we've been working on improving our employment of drishti (whether eyes open or closed, internal or external), then it's not a case of should we or shouldn't we consider a meditation practice... We've already begun a meditation practice, the Smayama, the meditation limbs of raja (ashtanga yoga) which include it's preparation.

Jump to the section that interests you
  1. The Aranya commentary from yesterday focusing on the Drishti aspect.
  2. My 33 point how to meditate 'manual'.
  3. The Yoga 'meditation' Newsletter from Ramaswami.
  4. The Ashtanga and Zen video following a Zen Monk who also practices Ashtanga.
  5. Concentration: the sixteen vital points


The Samyama. 
The upper three limbs of Raja (Ashtanga)yoga

Dhāraṇā
 – concentration, one-pointedness of mind

Dhyāna 
– meditation (quiet activity that leads to samadhi)

Samādhi 
– the quiet state of blissful awareness, superconscious state


1. 

"The Yogis mention two sadhanas or two yogic procedures as preparations. They are asanas and pranayama". Ramaswami from the newsletter below.

At some point we can perhaps choose whether to look to the next pose and the next or look deeper within those that we have, explore them as asana (even as mudra ) rather than merely postures.

Aranya's commentary on YS 22-49 that I posted yesterday as support for Krishnamacharya's employment of breath suspension in asana strikes me as an excellent place to begin.

Drishti (internal or external, eyes closed or open).

"That is, the object of concentration should be present in the mind during each act of inhalation and exhalation, or the inhalation and exhalation are to be looked upon as the predisposing causes bringing the thought of the object of concentration; thus union between the breath and the object of concentration has to be practiced. When this becomes habitual, then the suspension of the movement (of breath) has to be practiced." Aranya.

Look too at his use of the Yoga as union translation option, yoking the breath to the object of concentration .



2. 
"Ah! Meditation. The Yoga world is divided into two camps. On one side we have enthusiastic hatha yogis who specialize in asanas and the other group which believes fervently in meditation as a panacea for all the ills". Ramaswami Nov. 2009

A couple of years ago I put together what I like to think of as a short Yoga Meditation Manual for my own personal use ( I don't think I ever posted it and can't find my original), it's based on Ramaswami's  November 2009 newsletter  Meditating on Meditation (below), it's pretty much a numbering of the sentences outlining practice in the newsletter. I'd wondered why it was that we turn to the yoga tradition for asana and perhaps pranayama but when it comes to meditation often turn to , Zen, Vippasana...... This then was an attempt to make yoga meditation a little more accessible.

There is of course a more in depth yoga meditation manual,  Patanjali's Yoga Sutras,

Here is my own personal copy...







3.

Meditating on Meditation by Srivatsa Ramaswami 

Newsletter Nov 2009

I was watching a live television program in India some 30 years back when TV had just been introduced in India. It was a program in which an elderly yogi was pitted against a leading cardiologist. It was virtually a war. The yogi was trying to impress with some unusualposes which were dubbed as potentially dangerous by the doctor. Almost everything the yogi claimed was contested by the non-yogi and soon the dialogue degenerated. The yogi stressed that headstand will increase longevity by retaining the amrita in the sahasrara in the head and the medical expert countered it by saying that there was no scientific basis for such claims and dubbed it as a pose which was unnatural and dangerous and will lead to a stroke. The Yogi replied by saying that Yoga had stood the test of time for centuries; it had been in voguemuch before modern medicine became popular. Thank God it was a black and white program; else you would have seen blood splashed all over the screen.
Things have become more civil in these three decades. Now neti pot, asanas, yogic breathing exercises and yogic meditation have all become part of the medical vocabulary. There is a grudging appreciation of yoga within the medical profession. Many times doctors suggest a few yogic procedures, especially Meditation, in several conditions like hypertension, anxiety, depression and other psychosomatic ailments.
Ah! Meditation. The Yoga world is divided into two camps. On one side we have enthusiastic hatha yogis who specialize in asanas and the other group which believes fervently in meditation as a panacea for all the ills.
But how should one meditate? Many start meditation and give it up after a few days or weeks as they fail to see any appreciable benefit or perceivable progress. The drop out rate is quite high among meditators. The mind continues to be agitated and does not get into the meditating routine. Or quite often one tends to take petit naps while meditating. Why does this happen? It is due to lack of adequate preparation. Basically one has to prepare oneself properly for meditation.
The Yogis mention two sadhanas or two yogic procedures as preparations. They are asanas and pranayama. Asanas, as we have seen earlier, reduce rajas which manifests as restlessness of the mind, an inability to remain focused for an appreciable amount of time. But another guna, tamas also is not helpful during meditation, manifesting as laziness, lethargy and sloth and this also should be brought under control if one wants to meditate. Patanjali, Tirumular and several old Yogis advocate the practice of Pranayama to reduce the effects of Tamas. Patanjali says Pranayama helps to reduce avarana or Tamas. He along with conventional ashtanga yogis also mentions that Pranayama makes the mind capable of Dharana or the first stage of meditation.
Pranayama is an important prerequisite of meditation.There is evidence that pranayama has a salutary effect on the whole system. In an earlier article I had explained the beneficial effects of deep pranayama on the heart and the circulatory system. Further, when it is done correctly, it helps to draw in anywhere between 3 to 4 liters of atmospheric air compared to just about ½ liter of air during normal breathing. This helps to stretch the air sacs of the lungs affording an excellent exchange of oxygen and gaseous waste products. These waste products are proactively thrown out of the system by deep pranayama, which yogis refer to as reduction of tamas. Thus soon after pranayama, the yogi feels refreshed and calm andbecomes fit for the first stage of meditation which is called Dharana.
What should one meditate on? Several works talk about meditating on cakras, mantras, auspicious icons, various tatwas and on the spirit/soul etc. But, the method of meditating, only a few works detail. Perhaps the most precise is that of Patanjali in Yoga Sutras. Patanjali details not only a step by step methodology of meditation but also the various objects of prakriti and ultimately the spirit within to meditate on. Hence his work may be considered as the most detailed, complete and rigorous on meditation
For a start Patanjali would like the abhyasi to get the technique right. So he does not initially specify the object but merely says that the Yogi after the preliminary practices of asana, pranayama and pratyahara, should sit down in a comfortable yogasana and start the meditation. Tying the mind to a spot is dharana. Which spot? Vyasa in his commentary suggests going by tradition, a few spots, firstly inside the body, like the chakras as the Kundalini Yogi would do,, or the heart lotus as the bhakti yogi would do, or the mid-brows as a sidhha yogi would do or even an icon outside as a kriya yogi would do.
The icon should be an auspicious object like the image of one’s favorite deity. Many find it easier to choose a mantra and focus attention on that. Thousands everyday meditate on the Gayatri mantra visualizing the sun in the middle of the eyebrows or the heart as part of their daily Sandhyavandana** routine. It is also an ancient practice followed even today to meditate on the breath with or without using the Pranayama Mantra.
 (** Namarupa published my article “Sandhyavandanam-Ritualistic Gayatri Meditation” with all the routines, mantras, meanings, about 40 pictures, and also an audio with the chanting of the mantras in theSep/Oct 2008 issue).
What of the technique? The Yogabhyasi starts the antaranga sadhana or the internal practice by bringing the mind to the same object again and again even as the mind tends to move away from the chosen object of meditation. The active, repeated attempts to bring the mind back to the simple, single object again and again is the first stage of meditation (samyama) called dharana. Even though one has done everything possible to make the body/mind system more satwic, because of the accumulated samskaras or habits, the mind continues to drift away from the object chosen for meditation. The mind starts with the focus on the object but within a short time it swiftly drifts to another related thought then a third one and within a short time this train of thoughts leads to a stage which has no connection whatsoever with the object one started with.
Then suddenly the meditator remembers that one is drifting and soon brings the mind back to the object and resumes remaining with the “object”. This process repeats over and over again. This repeated attempts to coax and bring the mind to the same object is dharana. At the end of the session lasting for about 15 minutes, the meditator may (may means must) take a short time to review the quality of meditation. How often was the mind drifting away from the object and how long on an average the mind wandered? And further what were the kinds of interfering thoughts? The meditator takes note of these. If they are recurrent and strong then one may take efforts to sort out the problem that interferes with the meditation repeatedly or at least decide to accept and endure the situation but may decide to take efforts to keep those thoughts away at least during the time one meditates.
If during the dharana period, the mind gets distracted too often and this does not change over days of practice, perhaps it may indicate that the rajas is still dominant and one may want to reduce the systemic rajas by doing more asanas in the practice. On the other hand if the rajas is due to influences from outside, one may take special efforts to adhere to the yamaniyamas more scrupulously. Perhaps every night before going to sleep one may review the day’s activities and see if one had willfully violated the tenets of yamaniyamas like “did I hurt someone by deed, word or derive satisfaction at the expense of others’ pain”. Or did I say untruths and so on. On the other hand if one tends to go to sleep during the meditation minutes, one may consider increasing the pranayama practice and also consider reducing tamasic interactions, foods etc.
Then one may continue the practice daily and also review the progress on a daily basis and also make the necessary adjustments in practice and interactions with the outside world. Theoretically and practically when this practice is continued diligently and regularly, slowly the practitioner of dharana will find that the frequency and duration of these extraneous interferences start reducing and one day, the abhyasi may find that for the entire duration one stayed with the object. When this takes place, when the mind is completely with the object moment after moment in a continuous flow of attention, then one may say that the abhyasi has graduated into the next stage of meditation known as dhyana. Many meditators are happy to have reached this stage. Then one has to continue with the practice so that the dhyana habits or samskaras get strengthened. The following day may not be as interruption free, but Patanjali says conscious practice will make it more successful. “dhyana heyat tad vrittayah”. If one continues with this practice for sufficiently long time meditating on the same object diligently, one would hopefully reach the next stage of meditation called Samadhi.
In this state only the object remains occupying the mind and the abhyasi even forgets herself/himself. Naturally if one continues the meditation practice one would master the technique of meditation. Almost every time the yagabhasi gets into meditation practice, one would get into Samadhi. Once one gets this capability one is a yogi—a technically competent yogi– and one may be able to use the skill on any other yoga worthy object and make further progress in Yoga. (tatra bhumishu viniyogah)
The consummate yogi could make a further refinement. An object has a name and one has a memory of the object, apart from the object itself (sabda, artha gnyana). If a Yogi is able to further refine the meditation by focusing attention on one aspect like the name of the object such a meditation is considered superior. For instance when the sound ‘gow” is heard (gow is cow ), if the meditiator intently maintains the word ‘gow’ alone in his mind without bringing the impression(form) of a cow in his mind then that is considered a refined meditation. Or when he sees the cow, he does not bring the name ‘gow’ in the meditation process, it is a refined meditation.
The next aspect-after mastering meditation— one may consider is, what should be the object one should meditate upon. For Bhakti Yogis it is the Lord one should meditate upon. According to my teacher, a great Bhakti Yogi, there is only one dhyana or meditation and that is bhagavat dhyana or meditating upon the Lord. There is a difference between a religious person and a devotee. A devotee loves the Lord and meditates on the Lord, all through life. The Vedas refer to the Pararmatman or the Supreme Lord and bhakti yogis meditate on the Lord.
The Vedas also refer to several gods and some may meditate on these as well. By meditating on the Lord one may transcend the cycle of transmigration. At the end of the bhakti yogi’s life one reaches the same world of the Lord (saloka), the heaven. Some attain the same form as the Lord. Some stay in the proximity of the Lord and some merge with the Lord. The Puranas which are the later creation of poet seers personify the Lord and the vedic gods. Thus we have several puranas as Agni purana, Vayu purana and then those of the Lord Himself like the Bhagavata Purana , Siva Purana , Vishnu Purana. Running to thousands of slokas and pages the puranic age helped to worship the Lord more easily as these stories helped to visualize the Lord as a person, which was rather difficult to do from the Vedas. Later on Agamas made the Lord more accessible by allowing idols to be made of the Lord and divine beings and consecrating them in temples. Thus these various methods helped the general populace remain rooted to religion and religious worship. So meditating upon the charming idol/icon of theLord made it possible for many to worship and meditate .
Of course many traditional Brahmins belonging to the vedic practices stuck to the vedic fire rituals, frowned upon and refrained from any ‘form worship’, but millions of others found form worship a great boon.
Meditating on the form of the chosen deity either in a temple or at one’s own home has made it possible to sidestep the intermediate priestly class to a great extent. One can become responsible for one’s own religious practice, including meditation. The ultimate reality is meditated on in different forms, in any form as Siva Vishnu etc or as Father, Mother, Preceptor or even a Friend. Some idol meditators define meditating on the whole form as dharana, then meditating on each aspect of the form as the toe or head or the arms or the bewitching eyes as dhyana and thus giving a different interpretation to meditation. Some, after meditating on the icon, close the eyes and meditate on the form in their mind’s eye (manasika).
Darshanas like Samkhya and Yoga which do not subscribe to the theory of a Creator commended ‘the understanding of one’s own Self’ as a means of liberation. The Self which is non-changing is pure consciousness and by deep unwavering meditation after getting the technique right, one can realize the nature of oneself and be liberated. Following this approach, the Samkhyas commend meditating on each and every of the 24 aspects of prakriti in the body-mind complex of oneself and transcend them to directly know the true nature of oneself, and that will be Freedom or Kaivalya. Similarly the Yogis would say that the true nature of the self is known when the mind transcends(nirodha) the five types of its activities called vrittis to reach kaivalya, by a process of subtler and subtler meditation.
The Upanishads on the other hand while agreeing with the other Nivritti sastras like Yoga and Samkhya in so far as the nature of the self is concerned, indicate that the individual and the Supreme Being are one and the same and meditating on this identity leads to liberation. They would like the spiritual aspirant to first follow a disciplined life to get an unwavering satwic state of the mind. Then one would study the upanishadic texts (sravana), by analysis (manana) understand them and realize the nature of the self through several step by step meditation approaches (nidhidhyasana). The Vedas, for the sake of the spiritual aspirant, have several Upanishad vidyas to study and understand it from several viewpoints. For instance, the panchkosa vidya indicates that the real self is beyond (or within) the five koshas (sheaths). It could also be considered as the pure consciousness which is beyond the three states of awareness (avasta) of waking, dream and deep sleep, as the Pranava(Om) vidya would indicate. The understanding and conviction that Self and the Supreme Self are one and the same is what one needs to get, before doing Upanishadic meditation following the advaitic interpretation.
Summarizing one may say that traditional meditation warrants proper preparation so that the mind becomes irrevocably satwic and thus fit for and capable of meditation. Secondly it requires practice on a simple object until the meditation technique is mastered and such meditatin samskaras developed. Then the Yogi should set the goal of meditation based on the conviction of a solid philosophy—bhakti, samkhya, yoga, vedanta, kundalini (or if comfortable, nirvana) or whatever.
4.


And then we have this from another earlier post




5. 

Concentration: the sixteen vital points
see my earlier post 

Which contains examples of General Practice employing concentration on vital points as well as pranayama in asana.


Sunday, 26 October 2014

"When Asana has not been wholly perfected, Pranayama can be practiced only when during Asana the body becomes steady and the mind is occupied with a sense of void, or any other form of steadiness is established". Aranya.



"That (asana) having been perfected, regulation of the flow of inhalation and exhalation is pranayama (breath control)".
 II- 49

"Asana having been perfected, the suspension of both the process of drawing in of external air and the exhalation of internal air constitutes pranayama (1)". (Vyasa)

"(1)  The pranayama mentioned in this yoga is not the same as those mentioned in Hatha Yoga as exhalation (Rechaka), inhalation (Puraka) and suspension (Kumbhaka).

Some commentators have tried to make the two correspond but that is not proper.

If the air is not expelled after inhalation, there is a cessation of the movement of breath; this is one pranayama. Similarly if after explosion of air, the movement of the breath is suspended that also is a pranayama. Thus has the pranayama to be practiced one after another. A description of the Pranayama as suspension after exhalation has been given in Sutra I-35 (actually I-34).

Pranayama can be performed after Asana has been perfected.

When Asana has not been wholly perfected, Pranayama can be practiced only when during Asana the body becomes steady and the mind is occupied with a sense of void, or any other form of steadiness is established.

Pranayama practiced with a restless mind cannot be regarded as a part of yoga.

Just as in every Pranayama, the movement of the ingoing and outgoing breath is suspended, even so unless steadiness of the body and concentration of the mind on one subject are maintained it does not become pranayama conducive to Samadhi.

That is why the practice of concentration of mind along with the practice of Asana is necessaryy from the beginning.

Concentrating the mind either on God, or on a feeling of physical or mental void, or on a feeling of luminosity within the heart, the synchronisation of each ingoing and outgoing breath with the object of concentration has to be practiced.

That is, the object of concentration should be present in the mind during each act of inhalation and exhalation, or the inhalation and exhalation are to be looked upon as the predisposing causes bringing the thought of the object of concentration; thus union between the breath and the object of concentration has to be practiced.

When this becomes habitual, then the suspension of the movement (of breath) has to be practiced.

During this practice, the mind has also to be kept fixed on the object of concentration. that is the suspension of breath and the mind’s fixation on the objects of concentration should be made as a single effort, or the idea has to be entertained that by the suspension of the breath the object of meditation itself has been held tightly in mental embrace.

This form of suspension of movement of the mind, as long as the suspension of the breath is maintained, indicates one real pranayama.

Dharana (fixation of the mind on an object) has to be practiced with the help of this form of pranayama performed successively.

In Samadhi, however, the breath becomes first delicate then imperceptible , or is even wholly suspended.

The purport of this aphorism is "The suspension of both the internal movement of air in the form of inhalation and external movement in the form of exhalation, is pranayama. in how many ways, the suspension can be practiced will be shown in the next aphorism".

The Philosophy of Patanjali - Swami Hariharananda Aranya.




In commentary above Aranya makes reference to sutra 1-35 ( he actually means 1-34 ), here it is...






Concentration: the sixteen vital points
see my earlier post 

Which contains examples of General Practice employing concentration on vital points as well as pranayama in asana.

from Emergence of Yoga - TK Sribhashyam

***

"If could say anything about Ashtanga I'd say come in try to practice it but practice it in such a way that it feels good. Move slowly, listen to your breath, put your focus on the breath and you'll find the depth. The depth is in the breath..." David Swenson


See previous post

Saturday, 25 October 2014

On pranayama in Asana : Mayurasana in Krishnamacharya's Original Ashtanga

On pranayama in Asana

We know Krishnamacharya included or saw the inclusion of kumbhaka as an ideal approach to practice but this is the first time I've noticed it referred to explicitly as pranayama in asana ... 

re mayurasana
"For maximum benefit Pranayama should be done for 5 minutes, when the body is held as a plank in the horizontal position. Proper practice of Pranayama is difficult, but becomes easy after practice".


"If at this stage, regulated breathing is practiced in Padma Mayurasana position, it becomes easy later to practice Pranayama even in the ordinary Mayurasana position". 


This is from the Mayurasana instruction from Yoga Makaranda part II. Interestingly Krishnamacharya doesn't mention employing kumbhaka in the Yoga Makaranda instructions from part I which is where we usually find kumbhaka indications. And in the main body of the Yoga Makaranda part II instructions he specifically says NOT to include kumbhaka ( but this fits in with the apparent introductory focus of YM2.). The reference to practicing pranayama and thus kumbhaka comes as an addition at  the end.


How Long to spend in Mayurasana

Three durations are mention for mayurasana, the shocking...

"This asana sthiti should be held from 1 minute up to 3 hours according to the practitioner’s capa- ability".

from Yoga Makaranda Part 1

which thankfully is followed immediately by...

"If we make it a habit to practise this asana every day for at least fifteen minutes, we will attain tremendous benefits".

And finally in Yoga makaranda part II

"For maximum benefit Pranayama should be done for 5 minutes, when the body is held as a plank in the horizontal position". 

Which is attainable.






It's still curious as to why kumbhaka never made it into  current Ashtanga, Pattabhi Jois seems to have carried over so much from his teacher ( he stated that is all he ever taught), the lists of asana (and basic order as we see in the Yogasanagalu table of 1941), the long slow breathing (which seems to have become lost somewhat along the way), the longer stays (also neglected) but not the kumbhaka. 

And yet there it is in all three of Krishnamacharya's Primary texts and from the time when he was teaching the Young Pattabhi Jois (Yoga Makaranda Part II might have been just a little later). 

We are not talking secondary sources or rumour here, Kumbhaka is everywhere in Yoga Makarada part I (1934) explicitly indicated for almost all asana. Those same instructions were carried over to Yogasanagalu (1941) and here we find reference again in Yoga Makaranda part II (1950s?). 

We also find Kumbhaka in Krishnamacharya's later teaching as seen in Desikachar, Mohan, Sribhashyam and Ramaswami, even some references in Iyengar. Krishnamacharya seems to have retained kumbhaka as an important element of practice throughout his long life even when the vinyasa count was put to one side. It's only in the Pattabhi Jois tradition that it seems to be missing.

But where did Krishnamacharya come across the practice of kumbhaka in asana, which ancient texts, which teacher or is it his own introduction?

My reading of Aranya, commentary on Patanjali supports the practice as well as the approach in Yoga makaranda part II to introduce the kumbhaka into the asana gradually as one becomes more proficient, the asana, more steady, the mind more focussed.


Mayurasana Vinyasa in Yoga makaranda part I and in part II

Mayurasana Yoga Makaranda

This has 9 vinyasas. 

The 5th vinyasa itself is the asana sthiti. 

This asana has two forms. One form is called sampurna mayurasana. 

The second is called one-handed mayurasana. 

The picture included here depicts only sampurna mayurasana. 

In this asana, both hands should be firmly pressed down on the ground and with the strength of the arms, the whole body should be balanced like a bar in a balance scale with both sides at the same level. 

In the other type of mayurasana, keep only one hand on the ground and balance the body on this hand as mentioned above. Ordinarily, most people cannot do this type. So it is alright to just do sampurna mayurasana. 

Study the picture carefully to learn how to place the hands.


This asana must be done before eating (on an empty stomach). Wait a minimum of four hours after eating before practising this asana.

This asana sthiti should be held from 1 minute up to 3 hours according to the practitioner’s capa- bility. It is good to practise this regularly and to remain in this sthiti for longer periods during the winter or colder months rather than in the summer.

If we make it a habit to practise this asana every day for at least fifteen minutes, we will attain tremendous benefits. First, it will not allow unnecessary flesh or excessive impurities to remain in our body — it will expel them out. It will increase digestive power. It will protect us from every disease and keep these diseases from approaching. We can say that it is the death of all respiratory diseases, all paralytic diseases — all such dangerous diseases. No disease will approach the people who practise this asana.

One handed mayurasana, tricky but doable (with a shirt )
MAYURASANA from YM2

This asana has to be done on the bare ground. There should be no carpet or other spread on the ground.
Technique:

1. Stand upright with the legs together. Jump spread the legs apart so that there may be 12 inches between the feet. Lift the arms, interlace the fingers and turn the palms upwards. Stretch the body and the arms. Inhale.

2. While exhaling, lower the trunk by bending the body at the hips. Keep the arms stretched. When the hands are near the ground, the fingers are freed, the palms turned downwards and placed between the feet firmly on the ground, the finger pointing towards the back and the little fingers touching each other. The legs should be kept stretched and the knees should not be bent. The spine should be kept stretched and as straight as possible.

3. Inhale and lift the head.

4. Exhale, bend the head, spread, the elbows for the passage of the head and place the
head between the knees.

5. Inhale, lift the head and come back to the position in step (3)

6. Take a few deep breaths.

7. While inhaling, jump back with both feet, so that the navel may be above the
elbows, when the legs are stretched behind. The legs touch each other, stretched with the toes pointed and the back of the feet resting on the ground. The elbows are placed firmly on the either side of the navel, and the elbows kept as near to each other as possible.

8. Slowly inhale, the inhalation should be only to half the extent that was being done during the previous deep breathing, and move the body forward by about three inches, so that the body assumes the position of a horizontal plank. The legs are to be kept stretched, the knees together and the toes pointed. Head should be raised up.

Note: The final position prescribed above may not be possible in the beginning stages. The feet should be raised only about an inch in the beginning stages of practice, and the height lifted slowly increased as practice advances.

9. Breathe in and breathe out in a regulated manner but with no retention of breath.

10. While inhaling, lower the legs.

11. While inhaling, jump forward and bring the feet on either side of the palms and
while inhaling life the head to the position in step (3).

12. While exhaling, bend the head, widen the elbows and place the head between the knees.

13. While inhaling, life head and reach the position as in step (3).

14. Lift the trunk and with a jump bring the legs together and reach a position as at the
beginning of the asana.

In this asana, the stomach is compressed, and the lungs are also compressed, and it may appear that regulated breathing in this posture may not be possible. When Mayurasana has been mastered sufficiently to keep the body steadily horizontal for half a minute, the variation mentioned below-Padma Mayurasana can be done. This variation should not however be attempted unless by previous practice padmasana i.e., crossing of the legs can be done without the help of the hands in the Sarvangasana and Sirshasana positions. 

If at this stage, regulated breathing is practiced in Padma Mayurasana position, it becomes easy later to practice Pranayama even in the ordinary Mayurasana position. 

Care should however be taken to see that the lungs are not unduly strained. 

For maximum benefit Pranayama should be done for 5 minutes, when the body is held as a plank in the horizontal position. Proper practice of Pranayama is difficult, but becomes easy after practice.

Note: At least 4 hours should lapse after the last meal, before this asana is attempted. Benefits:

i. This prevents all diseases pertaining to the liver and spleen.

ii. This also cures diseases of the spleen and liver, but such treatment, in the case of those suffering from these diseases should be undertaken only under the personal guidance of a properly qualified teacher.

iii. This increases the powers of digestion.

This asana should not be done by those suffering from excessive fat, breathing trouble, blood pressure or kidney complaint. This asana should be done in moderation during summer.
Milk should form a regular article of diet while practicing this asana.

BKS Iyengar 1938


Friday, 24 October 2014

Krishnamacharya's alternatives to Headstand in his third son Sri Sribhashyam's book Emergence of yoga



One of the challenges I found teaching Ramaswami's Vinyasa Krama regularly in Rethymno this summer was what to do about Sirsasana (headstand), especially in a mixed class where several of those attending are perhaps unable to practice the inversion with or without a wall (and were also perhaps only in Rethymno and only in town for classes for a couple of weeks). This is especially troubling given the importance of Sarvangasana (shoulder stand) and Sirsasana (headstand) in Vinyasa Krama. These asana are considered two of the key postures in any daily Vinyasa krama practice and are both usually held for a minimum of ten minutes each.

Link to one of Ramaswami's excellent newsletter on Shoulderstand and Headstand and why they are considered so beneficial
AUGUST 2009 NEWSLETTER FROM SRIVATSA RAMASWAMI—HEAD AND SHOULDERS 
ABOVE……

from the newsletter...

"What is equally important is that Sirsasana helps improve circulation 
of the cerebro spinal fluid, which is helpful to the brain and also 
for the spinal nerve bundles—the chakras. Because of the increased 
pressure in the brain due to this fluid, the pituitary secretions 
increase helping the better functioning of the sympathetic nervous 
system which will help in many ways including the dilatation of the 
bronchial tubes giving great relief to asthmatics. There is draining 
of the bronchial tubes, giving some welcome relief for those with 
chronic chest congestion.  Many feel increased memory power and 
general better brain capacity. There are cases of even some correction 
of the eyesight. The vinyasas like the twists, Akunchanasana, the 
backbends like Viparitadandasana in Sirsasana and Uttanamayurasana in 
Sarvangasana help the spine considerably, by not only maintaining the 
flexibility of this structure but also nourish the nadis and chakras 
or nerve fibers and nerve bundles in the spinal chord".  Srivatsa Ramaswami

Which may make us question the purpose of some of these alternatives physiologically, personally I'm looking at the breath.

Notice the heavily pregnant woman in the first picture which ties in nicely with my previous post on Yoga and motherhood

I was especially delighted then to come across the headstand alternatives in Sri T.K. Sribhashyam's Emergence of Yoga. Sri Sribhashyam is Krishnamacharya's third son and working through his book I've started to think of the text as applied Vinyasa Krama. Ramaswami gives sequences of types of asana, Bow, Asymmetric, On one leg etc. but instructs us to chose asana and subroutines from those longer sequences when constructing our daily practice built around a number of key asana. Sri Sribhashyam gives around 70+ examples of how one might go about doing this.

In the book they are presented as complete practices, personally I tend to use them as a frame work and add a couple of extra asana around those mentioned in line with Ramaswami's subroutines but then I have extra time for practice.

Another nice aspect of Sri Sribhashyam's book is that it's laid out pedagogically, the level of difficulty of the asana builds up but more importantly so does the pranayama, the length of stay and number of repetitions and introduction of kumbhaka into certain asana and Mudra. At the end of the 58 general practices one might turn to examples of Krishnamacharya's own personal practices to explore how the practices are taken even further.

Here then are the five alternatives to Sirsaasana that Sri Sribhashyam introduces in the book and in the context of the practice. I know some will want to try out the whole practice so have included the outlines for practice as well as the internal drishti focal point sheet.

See this post as accompanying my more extensive review of the book found at the link below

Emergence of Yoga by Krishnamacharya's 3rd son SRI T K SRIBHASHYAM now available in English translation

I tend to practice my Krishnamacharya Original Ashtanga (see outline beneath the kapo at top of page) in the morning and then turn to one of these practices in the evening, for the Ashtangis' amongst you these practices might constitute a gentle Saturday (rest day), Moon day, Ladies holiday practice (with the sirsasana alternative)  or something to turn to if injured (wrists). They also give a nice progression for building a pranayama practice.

For those practicing Vinyasa Krama and wondering how to move from the full sequences to a daily practice they can give a general framework perhaps.

Unfortunately I don't have a scanner here in Japan so the picture quality isn't good and don't do the book, which is beautiful, justice but then this is supposed to be an introduction to the book, hopefully you'll be tempted to buy it especially as it's available in translation thus far in English, Spanish, French and German.

Here it is on Amazon.com
http://www.amazon.co.uk/Emergence-Yoga-SRI-T-K-SRIBHASHYAM/dp/2954485523

I've added a video example of one of Krishnamacharya's own personal 'Life saving' practices from the book at the bottom of the post.






Alternatives to Sirsa asana (headstand)

Alternative: Supta Pada Angusta Asana

Alternative: Maha Mudra

Alternative; Viparita Karani

Alternative: Utthita Pada Angusta Asana

Alternative: Savanga Asana
Alternative: Tatka mudra

The alternative asana and mudras












An excuse to try out my new Super 8 app for iPhone and some of it's filters. This is the Krishnamacharya, so called, Life saving sequence from the movie Der Atmende Gott, The breathing God. See this blog post http://tinyurl.com/8gzqqe9 
Nice little app, very easy to import the videos from the iPhone/itouch via iTunes