Tuesday, 1 December 2009

Ashtanga Yoga - The Intermediate Series: Anatomy and Mythology by Gregor Maehle

So Gregor Maehle's new book is finally out today (It was original due out early November ). I managed to blag ( obtain by wheedling or cadging) an advanced copy from the publishers and have been practicing with it for the last few weeks.

Here's what the publishers have to say ;


Description: Gregor Maehle, an expert teacher and practitioner, offers a detailed and multifaceted exploration of Ashtanga yoga's Intermediate Series. A student of Sanskrit as well as anatomy and physiology, Maehle guides readers to the next level with unprecedentedly detailed anatomical explanations and unparalleled attention to the practice's philosophical and mythological heritage. More than 25 postures are meticulously articulated through photos, anatomical line drawings, and practical, informative sidebars. Maehle also goes deep into the mythology behind each posture's name, discusses the philosophical and spiritual background of yoga, and contextualizes Ashtanga yoga within the millennia of Indian cultural history. With passionate erudition, Maehle prepares readers to reap physical, spiritual, and mental fulfillment in their evolving practice.
Gregor Maehle's first book, Ashtanga Yoga: Practice and Philosophy, provided a comprehensive introduction to all eight limbs of Ashtanga yoga and a detailed discussion of each posture in Ashtanga's Primary Series of postures. In Ashtanga Yoga - The Intermediate Series, Maehle addresses the postures of the Intermediate Series, with the same unprecedented quality of detailed anatomical explanation and the unparalleled deep roots in ancient Indian philosophy and mythology. The Intermediate Series is the next level of practice in Ashtanga yoga. While the Primary Series is intended as "yoga therapy" - seeking to bring balance to the body and mind and to develop strength, endurance, and flexibility - the Intermediate Series is the first step on the path to purification of the "subtle body." With a Sanskrit name meaning "purification of the nadi system" (the system of subtle channels circulating energy throughout the body), the Intermediate Series shifts focus from the hamstrings, hip joints, and bandhas to the spine, chest, and shoulder joints. As he demonstrated in Ashtanga Yoga: Practice and Philosophy, Gregor Maehle writes with a level of expertise that few Western teachers possess. Readers will come away from Ashtanga Yoga - The Intermediate Series well-prepared to take the next step with their practice.
And here is a link to the book on Amazon.com where you can look inside.










Maehle's first book had a translation and analysis of the Yoga Sutra's, this one too, delves into the Roots of Ashtanga Yoga. Chapter 2, for instance, investigates Indian myth and cosmology and Chapter 3 takes a closer look at Sanskrit.
I liked the Sanskrit chapter a lot, having recently come around to some chanting. Maehle stresses the importance of Sanskrit when he says;
'Correct pronunciation requires at least some knowledge of the Sanskrit language, particularly the fundamental relationship between sound and spirituality that is at it's core. p21
And why is correct pronunciation important? Because,
'Sanskrit is a mantric language, and it is nothing but the science of sound itself.' p21
Chapter 4 gives us 24 pages on the Mythology of the Intermediate postures. After the heavy'ish Sanskrit chapter this is a lot of fun, stories that show why the frog or the thunderbolt say, were considered important enough to have an asana named after them. It's a Chapter to dip in and out of. Like me you might jump straight to the story behind Tittibhasana. I wont spoil it for you but it's about a pair of Tittibha (insect) living by the sea concerned about their eggs... or at least the female is. Reading it I had an image of the the insects walking around like Yogi's in Titthi B rather than the other way around.
Chapter 6 is the first chapter of Part II Practice, and looks at anatomy. This is a different approach from Maehle's earlier book on the primary series where the anatomy was spread throughout the treatment of the series and related directly to each posture.
Here he considers the Intermediate series, at an anatomical level, to,
'...expand the focus to the spine, the sacroiliac joints, and the shoulder joints, while giving intensified attention to the hip joints.' p63.
He explores each focus in turn and includes a number of anatomical pictures showing what's going on in say, the Sacroiliac joint and it's surround while in an asana like Kapotasana. There's also his usual use of sidebars, I'm looking at one now titled, 'English versus Sanskrit relationship of Uddiyana Bandha to Sacrum nutation'. If you haven't come across Sacrum nutation before then your in for a ride, it took me from my toes to my heels in Kapotasana and made a hell of a difference to my dropback. Karandavasa too gets five pages of step by step instruction.
Another thing I appreciated about this book was how Maehle employs some preparatory poses which he refers to as warm ups, this is similar to an approach from Vinyasa krama that I was employing in the summer with regards to Leg behind head poses. He has this to say.
'Although some yogi's sneer at the idea of warm ups, the execution of warm-ups is preferable to desperately cranking your leg behind your head without the necessary opening and hurting yourself, particularly your intervertebral discs, in the process. there is nothing traditional about injuries, only nonsensical. if somebody suggests tradition is more important than the integrity of the spine, you would do well to question that person.' p135
Jumping to Part 3 and the Postures of the Intermediate series, the main reason we'll buy the book (though I have a publishers copy I'd like the real one to go with his Primary ), your likely to be as overwhelmed as I was. But that's OK because as we know by now, we're constantly revisiting postures, becoming more aware of different aspects of how they're working on our bodies. This is a book and a treatment of the asanas to keep coming back to. This is surely something Maehle had in mind as in Kapotasana, he has the pose broken down vinyasa count by vinyasa count for both an intermediate version and an advanced version. It's in the advanced version that you'll come across sacrilliac nutation.
Maehle breaks down the Structure of the Intermediate series;
'When analyzing the structure of the series of asanas we discern two different elements: One element, the active one, consists of the three essential sequences that produce the effect of the series( back bending, leg-behind-head postures and arm balances); the second element, the passive one, consists of the four connective sections of the fascia and connective tissue surrounding the essential sequences.' p93
I couldn't help wondering throughout Maehle's approach though, how much of this did the old Yogi's have in mind when they came up with the Primary and Intermediate series, whether it be the Yoga Korunta, Brahmachari, Krishnamacharya or Jois. Had any been to an autopsy or taken an anatomy class. At what level was the series developed. Krishnamacharya seems to have the asanas divided up into Supine and Standing, lotus and inversions, etc. Some asana were considered Key and these were the ones that seemed to be arranged into the series with the variations dropped. There seems to be an intuitive even logical sequence, Standing, Forward bends, back bends, shoulder stands, inversions. Occasionally as with the Marichiyasanas and Kapo we find some preparation postures clearly they had an excellent understanding of the body but I suspect their understanding was very different from Maehle's treatment. But it's a minor criticism if that. I thoroughly enjoyed his approach to the Series, learned a lot, my practice has improved and I know I'll be coming back to this book again and again.
NB. I should point out that my edition was an advanced publishers copy and the Published edition may be somewhat amended. and obviously the printing of better quality. I imagine that the pictures will be coloured in a similar way to Maehle's Primary series.

Thursday, 19 November 2009

3rd series and Kino's Intermediate DVD

Had a lousy practice this morning. I wanted to practice along with Kino's DVD. Perhaps it was because I was facing the other way so I could see the laptop on the goban but I couldn't settle. Kino was fine, I haven't got anything new out of the second, 'how it works' disc but her running commentary through the practice is always good value and makes you focus on things you hadn't thought about or had forgotten.


Two things stand out in particular already that are dynamite and were worth the price of the DVD alone. First how she talks about moving your pelvis forward in Hasta and Pinda Paddangusthaasana, shifting the weight of your pelvis forward from your heels to the balls of your feet to your toes. Simple little thing but it's made all the difference to my press to handstand and thus every lift in Sury. I've been working on this of course, all the other elements were there, but just this little way of characterising the movement has transformed my practice. The other is her Supta Urdhva pada Vajrasana, I'd been trying to do it the Swenson way, turning the straight leg back while rolling and making a hash of it. Kino does it (and no doubt this is how it's done in Mysore now) by turning the leg back before you roll which makes all the difference.

Apart from these two aspects of the practice this morning everything else, in the colloquial, sucked. Individually the asanas were OK, and the transitions neat with Kino's new lift but I never felt in the practice. Came away from it restless and almost irritable.

After a long bath and still feeling unsatisfied with the morning practice and not in the right frame of mind for Pranayama and Meditation (which begs the question, I know) I thought what the hell, I'll do 3rd. I've worked through it a couple of times before, it's exhausting and demands all your attention I thought it might be just what I needed. Most of the 3rd series poses came up in Vinyasa Krama and or the Rocket so I'm relatively familiar with them. This time I had the Encinitas DVD, Jois doing a led 3rd, and wanted to get to grips with the transitions in and out of the asana.

It actually went pretty well, relatively speaking. I got through the series with the DVD and guruji's count. It's all raggedy of course, not pretty I find the exit from some of the arm balances really tricky, Astavakrasana A and B for instance, how do you get back onto your head. The LBH poses went pretty well thanks to Vinyasa krama and I've been comfortable with the Kukkatasana'a for awhile. Purna Matsyendrasana is one I attempted a few times in VK and just about got it this time. Managed to lift up in Viranchyasana A which was a first and I'm still amazed my foot rolls back without any complaints from my knees for both A and B.
Viparita Dandasana and Shalambhasana are more old friends from VK. Which brings me toHanumanasana and the Trivikrasana's, will I ever be able to do those in public I wonder, horrible horrible. need to keep working on Hanumanasana every morning. Used a towel for Natarajasana and Eka pada raja kapotasana which was OK, can see them coming along nicely over time but raja kapotasana brought on cramps in the back of my thighs, whats that all about.

By the time I got to finishing I was in an excellent mood, spent fifteen minutes on Pranayama and then substituted knocking up a Pumpkin Tagine in place of some meditation. Now a long bath is called for while my Tagine pot works it's magic.

I'd planned on waiting until the new year to start exploring 3rd series again but have decided to hell with it and will work through it once a week on my day off. Still leaves me four Intermediates and a Full Vinyasa Primary on Sunday plus my restful Vinyasa Krama routine in place of a rest day.

Tuesday, 21 July 2009

New Tenugui + Salabhasana progress



This post is really just to Show off my new Tenugui and send a big thank-you to Okasan. Thank you too, for the beautiful Sake pots and as always for the Kyoho flavoured sweets. (Kyoho grapes have the most wonderful intense flavour).






I think I've mentioned before that Tengui are Japanese headbands, they're worn under Kendo helmets and I find them ideal for practice.








These are an early birthday present, I'm a Rabbit in the Chinese horoscope thus the little white rabbits all over the blue one, which is of course my new favorite.





And here's the new Tengui in action in Salabhasana.

Tuesday, 7 July 2009

My Jump Back Feb 08 to Present



Feb. 08 / Mar. 08


Apr 08 / May 08


Jun 08 / Mid Jun 08


Jul 08 / Jul 08


Aug 08 / Sept 08
Oct 08 / Oct 08
Nov 08 / Nov 08
Dec 08 / Jan 09
Feb 09 / Mar 09

Apr 09 / May 09

Jun 26 09 (first Straight leg Jump through) / July 09 ( Slowed decent ).



June 8 2010


Apr 3rd 2012


June 23 2011


July 17 2013 Current approach to jumping back and through, a kind of delicate Sharath'ish hop

Saturday, 4 July 2009

Developing a Home practice Part 24. DIET


'....can you write in your blog about your diet in the time of your developing practice? your weight loss could not be entirely attributed to the yoga asanas. you must have moderated your food as well'.

Received the above question in my comment box yesterday, so here goes.

As it happens I've been quite interested in the question of diet lately. I've been wondering what everyone else is eating the evening before the mornings practice. What do people find to be the best thing, you don't want to feel heavy but you want to have enough energy, pasta?

Here's a link to an earlier post this month that has some pictures of me when I first started the practice in March 07, as well as something more recent
http://grimmly2007.blogspot.com/2009/06/developing-practice-part-23-then-and.html

I was about 94 kilo then and now seem to have leveled out at around 77 Kilo.

To be honest, I haven't tried that hard to lose weight. I think before I started the practice I'd been eating pretty badly. A couple of slices of toast for breakfast, A large lunch, a bar, possibly two, of chocolate and/or crisps at work, half a bottle of wine or so with a large
dinner, plus desert.

Once I started to practice Ashtanga every morning, I found myself feeling heavy and uncomfortable. I cut down on the size of the portions I was eating at dinner and cut the wine down to half a glass or so, I cut out deserts altogether. Lunch ended up being half a mini box of Dorset cereal ( a kind of muesli ) with a banana, for breakfast a slice of toast and half a grapefruit. That plus the hour and a half practice every morning caused the weight to just drop off. I think I leveled out at 85 kilo around Easter 08 and it was about then I decided to become a vegetarian. One reason was a growing disgust with the extent of the meat industry that I really didn't want to buy into anymore and the other reason was to cut back on the protein intake.

I used to be a veggie back in my teens before traveling pretty much forced me to eat anything on offer. I didn't tend to cook meat that much anyway so it was an easy transition. I started to lose some weight again and ended up around 80 kilo and then following a trip to Paris where I walked from one end of the city to the other everyday on top of a morning practice,I lost a couple more Kilo. I must be the only person to Lose weight on vacation in Paris.

So there wasn't really any calorie counting or weird diets, just eating more sensibly and 90 minutes of Ashtanga every morning.

So what do I eat now.
Breakfast
Half a grapefruit and some Harvest crunch cereal or a slice of toast

Lunch
Still eating half a mini box of Dorset cereal with a banana
Most days a Waitrose toffee sundea (addicted)

Around 6pm
A couple of Tuc crackers with a little cheese if it's in the house (today there wasn't so i had half a tin or rice pudding instead)

Dinner
I used to cook a lot more but been very lazy lately, an average week might be...

Roast Vegetable couscous salad
Pasta, Arabiata perhaps, or some tag with roast vegetables or pesto
Jacket potato with Gruyere or Spanish omelet
Pizza
Cesar salad

A little wine in a glass topped up with ice cold fizzy water

Every weekend is the same
Loads of nice biscuits in bed with the paper
Scrambled or poached eggs for lunch





Saturday, Okonomiyaki ( a kind of Japanese cabbage pizza from the great city of Osaka or some Yakisoba

Some Sake








Sunday, Ishiyaki bibimba (Korean rice dish)

some Sake




Tuesday, 9 June 2009

Book review. The complete book of Vinyasa Yoga by Srivatsa Ramaswam

Link to Amazon where you can LOOK INSIDE
http://tinyurl.com/mgwbhx

This arrived yesterday and it's great. Srivatsa Ramaswami, I love this guy! Love how he writes, his lightness of touch, his gentleness. He suggests things ....' I suggest three minutes at first.' he recommends ' First choose a comfortable seated pose. It would be good to take a Yogic pose- the following are some I recommend.' He encourages, ' Slowly and surely both these parameters will improve. You will stay with the breath longer.'
Use the LOOK INSIDE feature on Amazon and get a taste for his style, it's charming and delightful.

Ramaswami seeks to present a fuller treatment of Krishnamachariya's teaching, with whom he studied for over thirty years. The book presents around 900* asana divided into sequences, so you have the standing sequence, seated sequence, inverted sequence etc. If we take the Asymmetrical seated sequence, he begins with a vinyasa into Dandasana and then works through all the one legged poses you can think of, the Marichi's, Eka pada's Bow pose, Heron pose etc, then you vinyasa out and in and start on the other leg, this is basically the idea for all the other sequences. There are something like 1100 pictures.

He's very concerned with the breath, long inhalations and exhalations in the poses and a strong focus on Bandhas. It's very familiar to this Ashtangi, yet softer. I don't feel like giving up my Ashtanga practice just yet but should I become injured in any way this would be the book I would turn to. It makes me think that if I ever get too old or my life became too complicated to practice Ashtanga I would still be able to practice Vinyasa yoga (this is something that had worried me). It's already made me think that it would be nice to practice this method one day a week. Maybe not at the moment as I'm too into my present practice but I was tempted.

Although I'm not going to be switching to his method anytime soon (I love my Ashtanga), I think I'll be incorporating some of his suggestions and recommendations. His slowing of the breath for instance and he's the first guy I've read who makes me want to take Moola Bandha more seriously. Best of all he has a wonderful section at the end called 'Winding down', which is basically Pranayama and meditation. The whole book is nery well presented but this section is particularly good, very approachable. I added it on to the end of my practice this morning and loved it so much that I'll be adding ten to fifteen minutes of Pranayama to my practice every morning.
I ordered another of his books, Yoga beneath the surface just before writing this post. http://www.amazon.com/Yoga-Beneath-Surface-American-Philosophy/dp/15692429

* Although the publishers say 900 or so asana a couple of hundred of those will be the same asana but with a different leg.

Sunday, 31 May 2009

108 Sun Salutations UPDATE

REPOST: I was asked about the current enthusiasm for practicing 108 Sun salutations and when it started. I really have no idea but I found this old post from May 2009 of my doing it and going by the comments it seems to have been not uncommon back then, on the Solstice say. Recently I had a student here in Japan who mentioned she wanted to practice 108 sun salutations so I'm curious why it is suddenly so popular. 
See my page at the top of the blog titled The Ashtanga Key, it's all about Sun Salutations. Scroll down and you'll find my posts on the Origin of the Sun Salutation, how it became an exercise fad, and in the posts near the top why Krishnamacharya discouraged excessive amounts of sun Salutations as well as how it taught their practice with mantras to Ramaswami. 

108 Sun Salutations at TRIYOGA London http://www.triyoga.co.uk/story.php?titleid=1436

From 8.30am to 10.30am on Sunday, May 31st, the 13th day after Guruji‘s passing, Joey Miles will be counting through 108 Sun Salutations (or as many as you can manage up to 108!). If you prefer, just come and sit. Nikki Slade will then lead us in a chant in Guruji‘s honor. All are welcome. Tea and biscuits will be shared afterward. This will be our way of expressing the gratitude we feel and a way of honoring this much-loved and hugely respected teacher.

I won't be going to TriYoga tomorrow but am planning on doing the 108 at home tomorrow morning at 8:30 AM ( plus a 30-minute Savasana/Rest afterward).

I'm still a little confused, however, as to how to go about it. Do we still take the five-breath count in downward dog when doing 108 of the buggers or do we go straight back to upward dog on the next inhale?
Counting is also a concern, how best to avoid losing count. I'm thinking ten GO stones at the end of my mat, moving one over every ten Sury's. The thing is I don't want to spend the whole time worrying about losing count.

UPDATE

A couple of hours after the 108 now my arms and shoulders still ache a little, as do my wrists and my neck. The wrists and neck are probably a result of how I half float/jump up to standing from DD. Apart from that, I feel good, no bloodied feet Ursula (thanks to my nice soft Yogitoes perhaps).


I went straight from downward dog back up to standing without taking a five-breath count, I would have been there all day otherwise. I started at 8.30 and finished at 9.22 so just over 50 minutes. Think I was probably going too fast, I tried slowing it down at one point but ended up back at the same pace.

My count was awful. I put ten Go stones at the end of my mat, counted ten Sury's in my head, and then took off a stone at the end of the tenth. I kept losing count and according to the video I ended up doing 13 instead of 10 before I moved the first stone.

I made a video of part of it. My camera only shoots 15 minutes, so I made three and stitched them together. I changed my headband after 20 because I was dripping sweat ( I weighed myself before and I was 78.4, I weighed myself again afterward and I was 77.6, I sweated almost 2 kilos, as you can see from my mat). When I pressed Record for the last part I must have pressed too hard because I moved the camera and lost the clock. This is going to be a very very boring video but maybe it's OK if you fast-forward a couple of times.
In the end, I only rested/stayed in Savasana for 15 minutes. The heating had gone off and it was getting cold. I'm sure Guruji understands.

An interesting experience, 108 is just about right. Halfway through, you start to feel tired of it and have to force yourself to keep going, but then it feels OK again and you get into a nice rhythm. It would be a nice meditation if you didn't have to worry about the count.

Wednesday, 13 May 2009

Developing a home practice Part 16, Ashtanga, What's it all about

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11a Part 11b Part 12 Part 13 Part 14 Part 15a Part 15b Part 16 Part 17 Part 18 Part 19 Part 20 Part 21a Part 21b Part 22 Part 23 Part 24 Part 25 Part 26a Part 26b Part 27 Parts 28, 29 and 30 Part 32 Part 33 Part 34

This topic came up somewhere else and I thought I'd put my ten cents worth here too. This is in no way a criticism of anyone in particular but rather a culture.

This practice is about..... when you say this practice, are you referring to ...

1. Yoga,
2 Ashtanga Yoga (the whole eight limbs deal, or
3. the practice of Asana as sequenced into primary, intermediate, Advanced, including of course, drishti, bandha, breath and vinyasa.

According to Yoga Mala...

1. 'Yoga signifies the means to the realization of one's true nature'

2. Ashtanga as eight limbs, to make the mind 'one pointed so that we can see the universal self'

3. Asana, 'the preceding step', before all else 'The method for purifying and strengthening the body is called asana'.

As long as your purifying and strengthening you can think about anything you please no?

Now I personally, happen to use my time on the mat for a kind of moving Vipassana meditation. I let my mind do what it wants through standing with just some noting on my part. By the series proper it's settled and I'll observe where it settles, an emotion perhaps, some sensation or maybe it just settles on the breath in a kind of Zenish no mind type way. This works for me.

I'm not so concerned with 1 and 2 above. I'm quite happy with employing the Western Philosophical tradition for 1. It's organically a part of me and makes more sense to me to stick with the devil I know, rather than take on another. Likewise for 2. I'm brought up in a Christian (though I'm not practicing or a 'believer') and Western philosophical tradition that deals well enough with most of the other eight limbs. Where It's lacking I've always had some Western Buddhist leanings.

So, No, for me the practice isn't necessarily about focusing the mind or reigning in thoughts though I might choose to employ the practice that way.

But you know what, this practice, it's about pretty much whatever I want it to be about. Ashtanga, it's out there, authorial authority died a death a long time ago.

Who knows what the Korunta was about before it was taught to Krishnamacharya (assuming it was) or what it became about when he taught it to Jois. Surely it became about something else when he turned it into what we find in Yoga Mala. And is that what the practice is about to Sharath or is it different in his mind, we shall see in time. It certainly became about something else to the Western students who brought it back with them from Mysore with their Western paradigms and preconceptions. Notice the focus on anatomy, or the post Freudian/Jungian/Kleinian/Lacanian discourse that gets woven into talk about the practice. The influence of New Age philosophies, NLP, cognitive theory .........

In the end a practice is practiced. It's practiced by somebody and this is a hard, intense, demanding practice. Anyone who practices it six days a week, year in year out, earns the right to determine for themselves what the hell this practice is about. And you just know that what it's about to you, is going to change over time. Hey, you might even go through a phase where it isn't necessarily about anything, but you love and enjoy it just the same.

Sunday, 10 May 2009

Developing a Home practice Part 15 Visiting a Shala

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11a Part 11b Part 12 Part 13 Part 14 Part 15a Part 15b Part 16 Part 17 Part 18 Part 19 Part 20 Part 21a Part 21b Part 22 Part 23 Part 24 Part 25 Part 26a Part 26b Part 27 Parts 28, 29 and 30 Part 32 Part 33 Part 34

Q. Why did it take a year and a half before I first went to a Shala?

My reasons for not going would have changed over that period. In the beginning it wasn't something I even considered. I started Ashtanga with a book from the library. At first I was just doing a bit of yoga in my living room, guys out here don't tend to think about going to a yoga class, a gym perhaps or swimming but rarely a yoga or fitness class, just not something you consider. It also took a few months before I became serious about what I was doing.

But once I'd begun to feel committed to the practice and more aware of the Ashtanga tradition, why didn't I search out a Shala then? It crossed my mind of course, Googling Ashtanga I'd come across a couple of places in London that taught it. I live outside London but it would only take me an hour at most to get to a Shala on a Sunday.

I think I was probably a bit body conscious. I was in my 40's and more than a bit overweight. When I would practice, I would feel heavy and awkward, my breathing ragged, I would get very hot and very sweaty, not something I felt like sharing with a roomful of strangers.

Another reason was that I wasn't confident about what I was doing. It wasn't just that I was new to the practice but that I wasn't even sure I'd be able to DO the practice. I couldn't reach my ankles let alone my toes in Sury A, as I said, I felt awkward, clumsy too. I know, your Shouting out, 'But that's the point, that's why you go to class, to a teacher, everyone is the same, nobody expects you to be perfect in the beginning!' You know what it was, I didn't want to make a fool of myself.

Another reason is.....I don't like teachers. (I'm hearing Chris Rock in my head ' I said it , I went and said it'). It's not that I dislike teachers as people but rather I dislike teachers as teachers. Now I say that, having been a teacher myself. I've been a school teacher, I taught for a bit at a University, I've taught in language schools and I've even taught teachers to be teachers. Perhaps it's because of that, because I'm always observing how others go about teaching rather than what it is they're teaching. But I've always been the same, preferring to try to teach myself a language rather than go to a language class or how to play an instrument. Though I have studied martial arts and had no problem with going to a teacher there.

Most likely I'm just a bit of a control freak and don't like giving up that control to anyone else. I like to work at my own pace which is sometimes faster sometimes slower than a teacher might teach it. I like to jump about here and there as I see fit. Become obsessed with something for a while and then something else, work it out myself rather than have it explained, perhaps you've noticed.

If I'd gone to a Shala early on I probably would have been fine, same as if I was studying a martial art but having left it for so long the control freak aspect of my character had begun to take.......control.

What made me want to go when I finally did go?

I think eventually I began to feel much more comfortable in myself physically and confident in my practice. I'd lost quite a bit of weight and had started to do full primary. I was much more flexible, stronger and fitter, I knew I could do this. But I was also aware that there were a lot of holes in my practice that it was untidy in places. I could pretty much do all the asana but they needed a lot of improvement. I could catch my fingers in Marichyasana D but that was about it.

I'd become very serious about the practice and wanted to progress. I'd also begun to entertain thoughts of going to India, to Mysore. Surely if I wanted to go then I would need to have my practice tidied up. I'd also heard on the net a lot of good things about some of the teachers in London as well as appreciating what I'd learnt from Swenson, Scott and Sharath, on their DVDs.

Next: First visit to a Shala, What did I think of it? Why did I stop going after only two classes?

Developing a home practice Part 14 Visiting a shala.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11a Part 11b Part 12 Part 13 Part 14 Part 15a Part 15b Part 16 Part 17 Part 18 Part 19 Part 20 Part 21a Part 21b Part 22 Part 23 Part 24 Part 25 Part 26a Part 26b Part 27 Parts 28, 29 and 30 Part 32 Part 33 Part 34

I first visited a shala in September 08, a year and a half after I'd begun practicing Ashtanga. I went two Sundays in a row and haven't been since, though, just recently, I've started to think about going again (though still haven't been).

Which raises some questions.

Why did it take a year and a half before I first went to a Shala?
What made me want to go when I finally did go?
What did I think of it?
Why did I stop going after only two classes?
Why haven't I been since?
What's making me think I want to go to a Shala now?

Been thinking about this all week but am still confused about it myself, which is why I haven't written on it yet. Perhaps if I break it up into the above questions I can approach it that way.