Monday 30 March 2015

Krishnamacharya's tricky ekapada sirsasana ( or ekapada viparitakarani)

I currently have a soft spot for this headstand variation, ekapada viparitakarani


I came across it awhile back in Krishnamacharya's Yoga Makaranda (Part II) but couldn't figure out what was going on in the instructions or how to get into it.

Recently I saw a photograph of Simon Borg-Olivier in the posture, realised that it was possible and decided to explore. 

Before trying it you should be comfortable with the 2nd series Ashtanga Vinyasa  or vinyasa Krama niralumba sirsasana (without support) variations. 



The question now is do we have both hands outstretched, palms down, as in the Ashtanga 2nd series variation and then lower and raise one leg at a time or do we take only the one hand/arm out from behind the head and lower the leg to that. Krishnamacharya's instructions are unclear. 

I suggest trying the 'both arms outstretched in frount of you' variation first. Below I'm exploring a konasana variation following a misreading of the text.


Just goes to show how easily you can get it wrong practicing from a text. I misread Krishnamacharya here. thought he had written spread the legs into konasana then lower on to the palms but actually he spreads the legs into konasana for six breaths, then brings them back together before lowering. That said, I'm sure he practiced this variation also.


Assuming you're comfortable with the Ashtanga Vinyasa 2nd series unsupported headstand variations, the approach I take to the more challenging version is to move one hand from supported headstand into tripod then stretch my arm out, the back of the hand on the mat, then follow Krishnamacharya's instructions, lowering the foot to the hand for six breaths.


Return the same way via the hand in tripod.

Another variation might be to raise up into the headstand variation with one arm already outstretched

Sharath has suggested we explore longer headstands, this might be an option to look at while doing so along with many of those found in Ramaswami's Complete book of Vinyasa Yoga.



A curious thing about Krishnamacharya ( or the editor's) presentation is that he refers to this asana as SIRSHASANA-EKAPADA-VIPARITAKARANI. I'd always assumed viparitikarani was the mudra version of sirsasana and as a mudra perhaps more static, characterised by the employment of bandhas, kumbhaka's and longer stays, lowering and raising the leg in viparitakarani was then a surprise, perhaps this is why (Hatha Yoga) is included in brackets.

I don't tend to think long stays in an unsupported headstand variations is appropriate, in the Ashtanga 2nd series variations one only stays for five breaths. It's true that Krsihnamacharya only indicates six breaths here but he tends to recommend long, slow breathing in his asana practice as well as in the vinyasa, when added to the kumbhaka  (even the shorter one of a couple of seconds recommended for sirsasana) that's a significant period of time without support for the neck.

Update
First attempt to explore this full sequence together rather than separately. Faster breathing than usual because of the recording and a little unsteady due to some anxiety about the glass shoji screens to my left (showing up especially on the second side). The second eka pada approach comes up 3 and a half minutes in.





Below are Krishnamachayra's instructions, starting off with those for sirsasana as he refers to them in the later asana.


SIRSHASANA--HEAD STAND
Sisshasana, Yoga Makaranda Mysore, 1934

This asana is so called because the head supports the whole body. This is also variously called KAPHALASANA, BRAHMASANA. These three, however, differ to some extent both in the technique and in the benefits derived. These differences have to be learnt under personal instructions form a Guru. This asana is beneficial in a large number of diseases and is rightly termed the ‘king of all the asanas’.

Technique:


1. Place something soft, like a cushion, folded blanket or carpet on the floor touching the wall.

2. Kneel on the ground facing the wall.

3. Lock the fingers together, thumbs upright, and place them about four inches from the wall. Let the elbows rest on the cushion, the elbows being not more than a foot apart.


4. Bend the neck and place the top of the head firmly on the cushion inside the knitted fingers. The thumbs should press behind the ears.

5. Eyes are to be kept closed.

6. Raise the hips, so that the knees are straightened and bring the feet as near the head
as possible. The toes, the feet and knees are to be kept together. The back will now rest
against the wall.

7. Take long breaths twice.

8. Lift both the feet simultaneously to an upright position. Toes together, knees
together. The back will rest on the wall. Straighten the back so that the whole body may rest solely on the top of the head without the support of the wall.
Note: For beginners to raise the legs upright without bending the knees will be difficult and the help of another person may be taken. If necessary the knees may be bent, brought closer to the body, the back still kept in contact with the wall and with a slight jump the legs taken above the head, and the knees still bent. The legs are then straightened slowly, the knees together, the toes together and the toes pointed.

9. Toes should be pointed and the thigh and calf muscles should be stretched.

10. Slowly inhale and exhale deeply with rubbing sensation in the throat. When exhalation is complete the abdomen should be well drawn in (UDDIYANA BANDHAM).

Note:
For proper benefit of the asana it is essential that the breathing should be regulated i.e., as long and as thin as possible,
Normal shallow breathing does not give any benefit. (Concentration on Lord Ananthapadmabanabha gives added benefit.) (a combination of asana, pranayama and dhyana gives proper benefit.) (See in this connection Sutra 47 Chapter II of Patanjali’s Yoga Sutras, Vaschaspati Misra’s and Bala Ramodasin’s commentaries.

For the first week do not exceed six inhalations and exhalations. There should be no retention of breath. Uddiyana bandha, in the beginning should be done only once a day.
Every week the number of inhalations and exhalations may be increased by four, so that the duration of the asana is slowly brought up.

11. After the number of rounds of breathing is over, slowly bring down the legs. In the beginning the knees may have to be bent, but as practice advances, the knee can be kept straight.


12. Lie on the back relaxed and take rest for at least for three minutes.
Note: 1. For people who are overweight over 190 lbs. Sirshasana should be begun only after the weight has been reduced.



SIRSHASANA-EKAPADA-VIPARITAKARANI - (Hatha Yoga)

Preparation, move one hand from supporting the head to laying out flat in frount of you


Technique:

1. The first three steps are the same as for the last asana.

2. While exhaling, slowly lower right leg to the ground so that the right foot will rest
on the right palm. The left leg is kept upright. The thigh and calf muscles of both the legs
are kept stretched.

3. Stay in this position for 6 breaths.

4. While inhaling, raise the leg back to the upright position.

5. Repeat with the left leg.

6. The next steps are the same as in step 7 of the previous asana.





VIPARITA KONASANA:


Technique

1. The first eight steps are the same as for Sirshasana.

2. Exhaling, the legs are spread apart, and the thigh and calf muscles kept stretched,
toes should be pointed.

3. Do six deep breathing.

4. Inhaling, bring the legs together.

The next steps are the same as 11 and 12 given under Sirshasana.



DVIPADA VIPARITAKARANI

The hands outstretched variation of sirsasana in 2nd series as preparation for lowering the feet to the hands

Technique:


1. The first step is the same as Sirshasana.

2. While exhaling both the legs are lowered to the ground without bending the knees and keeping the thigh and calf muscles stretched.

3. Do six deep breathing.

4. While inhaling raise both the legs together to the upright position.

5. While exhaling bend knees and return to the floor and rest.

6.     Exhale, bend knees, so that they approach the throat, lower the hips so that the back rests on the ground and then stretch the legs, so that the whole forms a rolling movement.


7. Take rest at least for a minute.


Benefits:
The thyroid gets special benefits. The waist line is reduced. This tones up the liver. This helps in preventing piles, and helps in curing gastric troubles.
(Note: The above three variations are according to Hatha Yoga).


Note:

In the beginning it may be difficult to bring the body to an upright position without bending the knees.

So the knees may be bent and the thighs bent over the body.
The hips are raised from the ground and the back supported by the palms.
The legs are now stretched.

If there is still difficulty, then help of somebody should be taken.

If the body is fat and no help is available, the help of the wall may be sought so that it can support the heels at gradually increasing levels.

This is done by lying on the ground facing the wall perpendicular to it.
After some time the hips can also be raised by having a bedroll near the wall.
When some strength is gained the heels are removed from the wall and the legs brought upright.

(As breathing exercises are done in these positions the abdominal muscles get toned up and the stomach becomes more and more pliable and soft.


The chin should be locked in the neck pit. This ensures that the head is placed symmetrical with the body so that the neck muscles may not be strained. The neck pit is the depression in front of the thyroid between the collar bones.
Note: The chin lock will not be possible in the beginning stages, but it should be kept in mind that the head is kept symmetrical with the body and the neck muscles are not strained.

The full chin lock will become possible when the body is fully upright and the palms have reached a position in the back as low as possible.


Slowly inhale and exhale with even, long breaths through both nostrils, with rubbing sensation in the throat, not more than six times at the beginning. There should be no retention of breath. The number of inhalations and exhalations may be slowly increased at the rate of two each week.


Note:
The final duration of this asana can be 5 to 10 minutes when it is done by itself. If on the other hand other asanas are also being done the duration may be suitably reduced.

*

More on Krishnamacharya's headstands here
http://grimmly2007.blogspot.jp/2014/11/krishnamacharyas-1930s-mysore-headstand.html

Some more sirsasana variations from Krishnamacharya from 1938 (Mysore).


Tuesday 17 March 2015

More on Krishnamacharya's breath, two students 30 years apart, Indra Devi 1930s and Yyvonne Millerand 1960s


Thank you to Enrique for sending through these pages from two of Krishnamacharya's students thirty years apart, Indra Devi in the 1930s and Yyvonne Millerand in the 1960s. Also, two pages from Krishnamacharya's son TKV Desikachar's book 'Heart of Yoga'.
The selection is followed by Simon Borg-Olivier discussion of the benefits of abdominal breathing from his book Applied Anatomy and Physiology of Yoga http://anatomy.yogasynergy.com/book


The selections relate to my earlier post on Krishnamacharya's explicit instruction for the breath in Yogasanagalu (1941)

Friday, 6 March 2015
The breath: Simon Borg-Olivier made me fall in love with asana all over again.

In that post we looked at the explicit instructions for the breath given by krishnamacharya in his early Mysore work Yogasanagalu (1941)


from Krishnamacharya's Yogasanagalu

1. In yoganga sadhana we don’t see these (above mentioned) irregularities and with regular practice all organs will become strong.  How is that?  When practicing asanas, we need to maintain deep inhalation and exhalation to normalise the uneven respiration through nasal passages.

 2. In yoga positions where eyes, head and forehead are raised, inhalation must be performed slowly through the nostrils until the lungs are filled.  Then the chest is pushed forward and puffed up, abdomen tightly tucked in, focusing the eyes on the tip of the nose, and straighten the back bones tightly as much as possible.  This type of inhalation which fills the lungs signifies Puraka.

3. In yoga positions where eyes, head, forehead, chest and the hip are lowered, we have to slowly exhale the filled air.  Tucking in tightly the upper abdomen, the eyes must be closed.  This type of exhalation is called Rechaka.

4. Holding the breath is called Kumbhaka.


On reading those instructions Enrique was reminded of some of the instructions for the breath found in several of Krishnamacharya's students, Indra Devi, Yvonne Millerand and also those found in TKV Desikachar's Heart of Yoga. 

It's important to remember that although indra Devi and YYvonne Millerand  were Krishnamacharya's students their writing and own instructions for the breath may well be influenced by later teachers. however One thing we do find in all these descriptions is the employment of kumbhaka (breath retention). Kumbhaka in asana is very much a feature of Krishnamacharya's early Mysore writing and may suggest that the instructions given do closely resemble those instructions given by Krishnsmacharya while they were studying with him.

In the notes section at the end of the post I've included the selection on the benefits of abdominal breathing from Simon Borg-Olivier's Book that I'm currently exploring and trying to square with Krishnamacharya's own Yogasanagalu instructions



The first two selections Enrique passed along are from Indra Devi's 'Yoga For You'.


Indra Devi famously studied with Krishnamacharya  for a short period in the 1930s, is this how Krishnamacharya taught her to breath or an approach she embraced later based on other sources.

An earlier post on Indria Devi which includes 'In the shala', a chapter from one of her books on her experience studying with Krishnamacharya.

Friday, 8 November 2013
Photo: Indra Devi teaching Marilyn Monroe Yoga 1960 ALSO Indra Devi in Mysore








*

The second two pages are from are from an Italian edition of Yvonne's Millerand Guide pratique de HathaYoga. 

Including  a much appreciated translation from the Italian by Chiara Ghiron 




Thank you to Chiara Ghiron  for the speedy translation below


First picture

Same working position: laying on the back, with bent legs, feet on the floor.

Rest your fingers on the top of your chest; elbows and shoulders rest on the floor, relaxed.

Having inhaled into the thoracic cage, we exhale relaxing until a respiratory equilibrium and then continue the exhale by 'blowing' tthanks to contraction of the abdominal muscles.

Retention with empty lungs: during this retention, gradually release abdominal contraction.

1. Inhalation: the top part of the thoracic cage lifts gently as air gets in. After the top part of the lungs have filled, the middle part also expands, then ribs remain relaxed or floating. Towards the end, a gentle expansion of the abdominal area is perceived, due to completion of diaphragmatic contraction, expansion and lowering, to ensure maximal room to the entering air

2. Retention: short, with no movement whatsoever

3. Exhalation: attention is directed to the abdomen. From the start of the exhalation, the abdomen wall flattens and gradually gets closer to the back wall with a slow voluntary action that allows dosage of rate and amount of exhaled air

4. Retention: short. The abdominal wall is kept contracted for a few seconds then released, to allow for the following inhalation that restarts movement in the thoracic cage




Thank you to Chiara Ghiron for the speedy translation below

Mechanical deep breathing exercise

- Seated, with straight, slightly open, legs, rest on the straight arms behind the back, hands on the floor. Inhale into the thoracic cage.

- Exhalation is helped by movement. While keeping exhaling, the body curls, the head lowers towards the sternum, ribs contract, the back bends sustained by the arms. The maximal air volume is expelled when the abdominal muscles contract by squeezing the internal organs: 'you blow'

- Retention: observe the abdominal surface below the midline, perceiving the tonic contraction of the abdominal muscles under the elastic skin; it is an effort which is very precisely located. With empty lungs and no other movement, this contraction is gently released and the lower abdomen rounds up a little

- Inhalation: making lever on the arms, the upper part of the spin lifts to start inhalation, opening the shoulders which move away from each other, raising the sternum. Air enters with an uninterrupted flux in a totally natural way into the top of the lungs, then into their middle portion as the thoracic cage expands and the back stretches. Lastly, the head lifts and bends backwards slowly. Resting on the arms allows for the abdominal muscles to become completely relaxed; the belly rounds up under the expanded ribs, which is a sign that the diaphragm has lowered and the inhalation has happened from top to bottom

- Retention without movement for a few seconds; exhalation is then guided again by movement of the body

This exercise will be repeated at the beginning of each class to ventilate the lungs and verify the tone of the abdominal muscles. They need to be able to contract to ensure exhalation and relax to allow lowering of the diaphragm at the end of the inhalation.

*

Two pages on breathing from Krishnamacharya's son TKV Desikachar's 1999 book 
'Heart of Yoga'






NOTES

My earlier notes from Simon Bog-Olivier and another selection from Yyvonne Millerand

This section from Simon and Bianca's's book gives us lots to think about and work with perhaps as well as their concepts of related ha and tha bandhas..

"8.2.8.3 Abdominal and thoracic breathing
Abdominal breathing and thoracic breathing are terms sometimes used by people who teach breathing to indicate where on the body an expansion of the trunk should occur reÀecting the primary activation of either the diaphragm (abdominal breathing) or the intercostal muscles (thoracic breathing). It is incorrect to think that air is actually coming into the abdomen during abdominal breathing. In both types of breathing, the air will only go into the lungs.

Abdominal breathing is seen as an outward movement of the abdomen on inhalation and an inward movement of the abdomen on exhalation. Abdominal breathing mainly uses the diaphragm muscle, which moves downwards (distally) as it generates tension. If the abdomen is relaxed, pressure from the diaphragm will move the abdominal contents downwards (distally) and also outwards (anteriorly).

Thoracic breathing is seen as an outward and upward movement of the rib cage on inhalation and an inward and downward movement of the rib cage and chest wall on exhalation. Thoracic breathing mainly uses the intercostal muscles.

Intercostal muscle expansion of the rib cage and chest wall in thoracic breathing is essentially the same as the muscular activation used in the yogic internal lock uddiyana bandha [Section 7.4.1.3]". p227

8.4.3 The Effects of Breathing Rate on Various Body Systems
Some types of pranayama (yogic breathing exercises) require slow breathing that ¿lls and empties the entire lungs. This is sometimes referred to by other authors as complete breathing. Complete breathing requires full use of the diaphragm, the thoracic intercostal muscles and the abdominal muscles:

• The diaphragm [Table 7.4] is the main muscle used in what is referred to as abdominal breathing [Section 8.2.8]. On inhalation the abdomen gets larger as the diaphragm is activated (tenses and shortens), and on exhalation the abdomen gets smaller as the diaphragm relaxes (lengthens) and returns to its original position.

• The thoracic intercostal muscles (intercostals) [Table 7.4] are used in what is referred to as thoracic breathing [Section 8.2.8]. On inhalation the thorax (chest and upper back) gets larger as the intercostals are activated (tensing and shortening), and on exhalation the thorax gets smaller as the intercostals relax (lengthen) and return to their original position.

• The abdominal muscles [Table 7.4] are used to make a forced exhalation or a complete exhalation. 
By maintaining the grip (tension and shortness) of the abdominal muscles after the exhalation it makes it easier to expand the chest on a subsequent inhalation.

Many people have dif¿culty breathing with both the diaphragm and the intercostal muscles and are unable to expand their thorax unless they breathe quite forcefully with relatively fast and deep breathing [Table 8.1]. Fast, deep breathing forces the abdominal muscles to become activated (tense) to get the air out quickly and fully and, since the abdominal muscles have no time to relax after the exhalation, the subsequent inhalation is done with the abdomen ¿rm, thus forcing the thorax (chest and upper back) to expand.

Similarly, there are many people who can not easily relax their abdomen. Their abdominal muscles hold so much tension that these people are unable to breathe into their abdomen, and are hardly able to use their diaphragm at all, unless they spend time focusing on relaxation and slower breathing [Table 8.1]. These people tend to be doing mainly thoracic breathing while doing any physical activity.

In terms of the bandhas, the complete inhalation, i.e. the maximum possible inhalation, can be done with a tha-uddiyana bandha (chest expansion) followed and supplemented by a tha-mula bandha (abdominal expansion), while the maximum possible exhalation can be done with a ha-mula bandha (abdominal contraction) followed and supplemented by a ha-uddiyana bandha (chest contraction).

Table 8.1 compares the effects of two extreme types of breathing (fast deep breathing compared to slow shallow or tidal breathing) on the various body systems. These are only two of the many breathing possibilities that exist and each have varying effects. There is no such thing as right or wrong breathing but one must use the type of breathing that is appropriate for the situation.

Both the thoracic breathing and abdominal breathing confer possible bene¿ts and disadvantages. Ideal yogic breathing is a combination of the most advantageous aspects of both fast, deep breathing and slow, shallow breathing [Table 8.1]. In ideal yogic breathing, the three central bandhas (jalandhara, uddiyana, and mula) [Section 7.4.1] are held throughout the breath cycle. To initially learn to maintain a grip on the three bandhas, the thorax should be kept expanded (tha-uddiyana bandha) throughout the breath cycle as it would be during thoracic breathing inhalation; the lower abdomen should be kept ¿rm and drawn inwards (ha-mula bandha), as in a forced exhalation; while the back of the neck is kept long and the chin kept slightly down and inwards (ha-jalandhara bandha) [Section 7.4.1].
In optimal yogic breathing, slow relaxed diaphragmatic breathing is used to respire only a small amount of air per minute, but with the chest and abdomen held in such a way that only a small volume of air is needed to ¿ll and then empty the lung. In the most advanced stages of pranayama the key emphasis should be not on increasing lung volume from breath to breath but rather on increasing the pressure in the chest with each inhale without increasing the volume. p238

Applied Anatomy and Physiology of Yoga http://anatomy.yogasynergy.com/book

Update 2


"I arrived just in time. Giving me a few lessons a week, he started with a simple asana practice. I was to establish a link between breath and movement. Breathing should be controlled hand movements, slower breathing, the slower the movement. Each asana followed repeated at least four times. After one hour lesson in a sitting position, I learned the sound Udzhdzhayi and be able to distinguish it from the nasal sound. He allowed me to begin the simplest Pranayama - Udzhdzhayi Anuloma and Udzhdzhayi Viloma.

Krishnamacharya used to tell me, "lift up your chest," for the fact that, due to the rise of my chest, I could fill the air flow based on my lungs. After that, he insisted on the exhale with the abdominal muscles and the perineum. Breathe in and out - of course, but with the insertion of pauses, everything changes. Coached control is felt as an affirmation of life and gives a sense of a better life, by controlling breathing and blood circulation, which are interrelated. This is what I felt.



Monday 16 March 2015

Krishnamacharya's Mahavedha (lotus lifted, spun, dropped). plus Notes to Self: In defence of asana practice - Also

Krishnamacharya at 50, even in his later years Krishnamacharya was supposedly practicing up to three hours of asana a day, he never lost faith in asana it seems even practicing it in his hospital be in his 90s after a fall and broken hip.
Here he is in a rare scent from the 1938 Mysore footage practicing what seems to be Maha Vedha, padmasana taken further  and lifted utpluthi but then further still and practiced as a mudra, mahabandha, and finally as kriya -see video at end of post.

Krishnamacharya practicing Mahavedha ( padmasana/lotus lifted, spun, dropped).
See this earlier post 




from the 1938 Mysore footage.

When I first saw this clip it reminded me of some of the Tibetan yoga practices, where for example a monk drops from standing and lands in padmasana (full lotus), the idea seeming to be to shock the kundalini into the sushumna.

However, on looking again at Hatha yoga pradipka, this dropping of the lotus seems to be Krishnamacharya's take perhaps on mahavedha... see below and blog post http://tinyurl.com/mmvxqvz

Either way it's curious, a very deliberate practice, something.... old about it. The lifting and dropping might be something you might try on a reading of HYP but the spinning? It suggests to me a learned practice especially the emphasised looking up at the end of each drop.Facinating.

from Hatha Yoga Pradipka

"The mahâ Vedha अथ भहावधे ् 
भहाफन्धश्चस्थतोमोगीकॄत्वाऩयूकभके धी्। वामनू ाॊ गश्चतभावॄत्य श्चनबतॄ ॊ कण्िभद्रु मा ॥२६॥ 
Atha mahāvedhah 
Mahābandhasthito yogī krtvā pūrakamekadhīh Vāyūnām ghatimāvrtya nibhrtam kanthamudrayā 

Sitting with mahâ Bandha, the Yogî should fill in the air and keep his mind collected. The movements of the Vâyus (Prâna and Apâna) should be stopped by closing the throat.) 

सभहस्तमगुोबभूौश्चस्फचौसतॊािमच्छे न्ै।
ऩ टु द्व म भ श्च त ि म्य व ा म ् ु स्फ ु य श्च त भ ध्य ग ् ॥ २ ७ ॥ 
Samahastayugho bhūmau sphichau sanādayechchanaih Putadvayamatikramya vāyuh sphurati madhyaghah 

Resting both the hands equally on the ground, he should raise himself a little and strike his buttocks against the ground gently. The air, leaving both the passages namely Idâ and Pingalâ, starts into the middle one".

*

More Notes to Self
In defence of asana




Often we begin with asana,

If we practice regularly, at the same time, in the same place, it becomes routine.

Routine is the mother of discipline.

When a discipline brings us joy it can lead to devotion.

We become devoted to the practice.

When something so simple as stepping on the mat to breathe each morning gains importance in our lives we might find other more worldly objects of desire lose some of their import, our attachment to the world may be loosened.

Yoga philosophy suggests that the self is a construction of the mind, reenforced, maintained even by our attachment to the world of the senses.

Through our devotion to our asana practice then, our attachment to worldly things can be loosened, the construction of the self weakened.

In this sense asana can be considered preparation, tapas, an austerity.

Devotion along with surrender are considered two of the highest concepts in Yoga philosophy, Bhakti yoga.

The practice of asana may be considered a suitable preparation for yoga practice but is it a suitable object of devotion.

Asana practice, when an object of devotion can loosen our attachment to the objects of the senses, to our attachment to the world and thus can weaken the maintenance of the the mind constructed self.

As an object of devotion it is not merely preparation for yoga but the first steps along the path.

The path of yoga is intended to be one of self-realisation, that the world may not be as it appears, that my sense of self may not be what I assumed to be, what I believed.

The yoga path is to be one of knowledge, of greater understanding, of truth perhaps, all surely suitable objects of devotion.

As we deepen our practice through the other limbs, the weakened self may crumble, dissolve, what we believed to be our self melts away. Is there anything that remains?

Commitment to this practice is choosing to offer up our current understanding of self, an act of surrender as enquiry.

Yoga philosophy traditionally argues that Purusha  remains, 'awareness', (an instance of universal awareness), Atman, Brahman, some use the expression the Lord, still others God.

Love is often described as seeking to know, rather than to project, to experience, to become joined to..., one with...., to be indivisible from... that which we love.

*'Love can be bhakti for us', love of knowledge, for the path of knowledge where ever it leads... to purusha or perhaps the absence of purusha, to god or to the absence of god.

Yoga is knowledge as radical enquiry and as such is not predetermined, there are signs along the way offered by those who have gone ahead but destination(s) only hinted at.

Devotion to the practice of asana may be the first step along the path of yoga, a path that may lead to self- realisation, knowledge, experience of......



****


Krishnamacharya was supposedly once asked, 

What is bhakti for those who do not believe in God, 

he answered, 

'Love is bhakti for them'. 

*


Thursday 12 March 2015

Krishnamacharya on how to breathe in asana (1941) Plus more from Simon Borg-Olivier on exploring the breath.

A dilemma, to continue exploring Simon's use of abdominal breathing or return to Krishnamacharya's  Yogasanagalu guidelines. What would Krishnamacharya himself have done faced with a similar dilemma....., he would no doubt have continued to explore both approaches and then decide on his preference from a position of experience. (But see update at the bottom of the post)

This picture was taken for Krishnamacharya's 1934 Mysore text Yoga Makaranda. The same picture and asana instructions found in that text were included in his later  book Yogasanagalu (1941)  as well as 10 extra general asana guidelines under the title Niyama.

UPDATE: But hang on a moment, if you were breathing into the chest, why would you then need to puff out the chest, wouldn't it have expanded somewhat already ( not necessarily )? If I follow Krishnamacharya's instructions I can still breathe abdominally and then swell the chest, relax  certain abdominal muscles to draw the abdomen in for the kumbhaka, likewise with the exhalation.... see the full update at the end of the blog under notes.



Niyama 

from Krishnamacharya's Yogasanagalu

1. In yoganga sadhana we don’t see these (above mentioned) irregularities and with regular practice all organs will become strong.  How is that?  When practicing asanas, we need to maintain deep inhalation and exhalation to normalise the uneven respiration through nasal passages.

 2. In yoga positions where eyes, head and forehead are raised, inhalation must be performed slowly through the nostrils until the lungs are filled.  Then the chest is pushed forward and puffed up, abdomen tightly tucked in, focusing the eyes on the tip of the nose, and straighten the back bones tightly as much as possible.  This type of inhalation which fills the lungs signifies Puraka.

3. In yoga positions where eyes, head, forehead, chest and the hip are lowered, we have to slowly exhale the filled air.  Tucking in tightly the upper abdomen, the eyes must be closed.  This type of exhalation is called Rechaka.

4. Holding the breath is called Kumbhaka.


In Krishnamacharya's 1941 text Yogasanagalu (see translation project HERE ) written in Mysore back when he was teaching the Young Pattabhi Jois, Krishnamacharya stated explicitly what he intended by his usage of rechaka, puraka and kumbhaka in asana.

This is important as Krishnamacharya goes on to outline the main breathing principle for each asana in his three groups Primary, Middle and Advanced asana on which Pattabhi Jois was to base his four year college syllabus (1940s- ) with it's four sequences that was to go on to form the six sequences of current Ashtanga vinyasa.

Below: sample of the table from Yogasanagalu
Sheet 2 Full table HERE

Sheet 4 Full table HERE
I'd forgot how explicit Krishnamacharya was regarding the breath here, he buries it away under a Niyama  heading IE. Guidelines for practice.


I've been exploring Simon Borg-Olivier's use of the breath recently, abdominal breathing in asana in particular. I'm fascinated by the subtly, I'd wondered if there was perhaps a grey area in Krishnamacharya's teaching, if it was left somewhat open and abdominal breathing might make some of Krishnamacharya's long stays more achievable. Putting to one side the three hours he mentions in mayurasana, he does also suggest 5-15 minutes in the posture daily. Is five minutes possible with a relaxed abdomen, does a firm and relaxed abdomen make ten minutes in even chatauranga possible?

Simon uses subtle shifts in posture to firm areas of the abdomen (see the end of the post for what this can do for your baddha konasana), to stop the belly ballooning out, and yet also keep it relaxed enough to allow for steady comfortable breathing. Breathing into the abdomen relaxes, it's a fascinating approach to practice, try it in uttana hasta padangusthasana, try it too in inversions, in handstands. Simon draws the example of a truck tire which can support ten tonnes and more, as we hold the abdomen firm and breathe into it, great strength is achievable and yet we are still relaxed, it's somewhat effortless. I'm not so concerned with ten minutes in mayurasana, handstands or carrying ten tonne trucks on my shoulders but can't resist exploring every more refinement in the breath..... just to see.

Here's Simon from my post last week on The breath

"USING YOUR BREATH WITH STHIRA SUKHAM ASANAM (TO BE FIRM BUT CALM)

Of course you can get away with doing this if you harden the abdomen with the muscles of exhalation. So if I breathe in here [See demonstration of breathing into the abdomen], and then exhale gently and relaxed as I’ve done there [See demonstration of relaxed exhalation] with the abdomen soft the lungs are not fully empty. Also, to exhale fully you are required to tighten the muscles of exhalation. These are circular muscles that go all around the bottom of the trunk. So you see my fingers in my abdomen now, if I tighten my exhalation muscles, the trunk moves inwards away from my fingers. So it’s like I’ve wrapped a belt around my lower waist. This gives a certain amount of abdominal firmness and protects my back if I’m doing a lifting exercise or a straining or stretching exercise.

But the problem is because I’ve used the muscles of exhalation to tighten my abdomen that straight away reciprocally relaxes or inhibits the main muscles of inhalation which is the diaphragm. So it means then with the diaphragm inhibited there is an inhibition of the organs that the diaphragm helps to control and stimulate, including the reproductive system, the immune system, and the digestive system.

Also with these belt muscles contracted and pulling the whole spine inwards it blocks the energy and information from the trunk to the legs. So then to pump the blood to the legs the heart has to work a lot harder, the lungs have to work a lot harder. So, the movements that I am trying to do should not have to tighten all of these things if I want to stay calm. In the Hatha Yoga tradition of India there is only one description of physical exercise. It’s only one sentence. It says “Sthiram Sukham Asanam”. It means physical exercise should be with firmness but with calmness. It’s learning how to do stressful things in a relaxing way. So to protect the back I need to be firm. But to keep calm diaphragmatic breathing and stimulation of the para-sympathetic nervous system is important. The funny thing is that once you learn this you will not only be protected but it will give you tremendous strength. So if someone is just tightening the abdomen like this [See demonstration of pulling the abdomen inwards] they cannot breathe from their diaphragm. So, then what tends to happen is that their chest expands. When the chest expands it makes the body weaker. If the abdomen expands it also makes the body weaker. So when you see adept practitioners of eastern forms of exercise including the Chinese Martial Arts or the Indian Hatha Yoga – there’s also Indian Martial Arts and Chinese Yoga as well, but they all relate – you never see adept practitioners expand their abdomen or their chest. You can use the analogy of the balloon which a child blows up as opposed to the tyre of a car, when you blow a balloon up it gets bigger but the walls actually get thinner and less strong. Whereas when you add more air to a car tyre the walls don’t get any larger but actually the more air coming into the tyre allows it to become much stronger. So you can actually put a ten tonne truck on a hard walled tyre filled with air but something which expands like a balloon will just burst if you put more air into it. So the chest and the abdomen are the same. An in-breath which expands the chest will only make the spine weaker. An in-breath which expands the abdomen will only make you weaker. So in the Martial Arts, in Hatha Yoga it’s always said that you should breathe diaphragmatically but with firmness. So if I breathe diaphragmatically standing normally the abdomen puffs out. But if all I do is push the sitting bones forward the front of the abdomen automatically goes firm and the sides are relaxed. Then if I breathe into the abdomen it doesn’t move but because it’s a diaphragmatic breath I stay calm".
Part of Simon's Blog and Youtube Spinal sequence series


And see this marvellous post from Simon on his Blog, not sure if there's a Part II yet.

Breathing (Part 1): How to breathe to help your spine, internal organs and energy levels


"In this blog I will be discussing the the physical and physiological effects of breathing. There are two main reasons we breathe. The main reason is the physiological reason of getting oxygen into our cells. Perhaps surprisingly to many people the best way to achieve this is to safely breathe as little as possible (hypoventilation) to stimulate the Bohr effect which says significant carbon dioxide must be present for oxygen to be able to enter the cells (see our recent blog). The other reason we breathe could be called physical reason and it includes the effects on joints, muscles, nerves, the mind, emotions, blood floor, digestion, reproduction and immunity. In this blog on breathing (Part 1) I will be focusing on the physical effects of breathing. If you breathe, or use the muscles of breathing in certain ways you can radically improve and/alter strength, flexibility, nerve function, blood flow and internal organ health. Many people inadvertently only focus on this reason for breathing and in their enthusiasm and often lack of knowledge they over-breathe (hyperventilate) and thus miss the primary purpose of breathing. In the next blog on breathing (Part 2) I will be focusing on how to achieve the physiological effects of breathing. The advanced practitioner can control their breath in such a way the both the physical and physiological benefits of breathing are achieved at the same time". Continue to the post...." LINK

And also this post with some breath science from Simon's online Anatomy and physiology course

To Breathe or not to Breathe

also this

Exhale for Pleasure, Strength and Freedom

and this, definitely this

Holding your breath for increased strength, flexibility, healthier digestion and to eat less food

and of course my interview with Simon where we discussed the breath on the Yoga Rainbow festival from this post http://grimmly2007.blogspot.jp/2014/05/interview-with-simon-borg-olivier.html.




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And what all this does for your Baddha Konasana ( an excellent posture for exploring the breath).



In his spinal sequence Simon includes several techniques for firming the abdomen while standing (just try leaning forward for example, amazing), seated examples are harder to find, for now you have to work it out yourself somewhat although there was mention of directing the hips or sit bones towards the feet (heels i find works in inversions). I've been exploring. and one interesting side effect of exploring this approach is that when we firm the abdomen in for example baddha konasana by directing the sit bones towards the heels, nothing moves on the outside but by just having that attention/intention all sorts of things seem to happen on the inside, muscles firm, joints it seems open.
Think the sit bones to the heels in baddha konasana and watch it blossom.


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NOTES

UPDATE: But hang on a moment, if you were breathing into the chest, why would you then need to puff out the chest, wouldn't it have expanded somewhat already ( not necessarily )? If I follow Krishnamacharya's instructions I can still breathe abdominally and then swell the chest, relax  certain abdominal muscles to draw the abdomen in for the kumbhaka, likewise with the exhalation....

This section from Simon and Bianca's's book gives us lots to think about and work with perhaps as well as their concepts of related ha and tha bandhas..

"8.2.8.3 Abdominal and thoracic breathing
Abdominal breathing and thoracic breathing are terms sometimes used by people who teach breathing to indicate where on the body an expansion of the trunk should occur reÀecting the primary activation of either the diaphragm (abdominal breathing) or the intercostal muscles (thoracic breathing). It is incorrect to think that air is actually coming into the abdomen during abdominal breathing. In both types of breathing, the air will only go into the lungs.

Abdominal breathing is seen as an outward movement of the abdomen on inhalation and an inward movement of the abdomen on exhalation. Abdominal breathing mainly uses the diaphragm muscle, which moves downwards (distally) as it generates tension. If the abdomen is relaxed, pressure from the diaphragm will move the abdominal contents downwards (distally) and also outwards (anteriorly).

Thoracic breathing is seen as an outward and upward movement of the rib cage on inhalation and an inward and downward movement of the rib cage and chest wall on exhalation. Thoracic breathing mainly uses the intercostal muscles.

Intercostal muscle expansion of the rib cage and chest wall in thoracic breathing is essentially the same as the muscular activation used in the yogic internal lock uddiyana bandha [Section 7.4.1.3]". p227

8.4.3 The Effects of Breathing Rate on Various Body Systems
Some types of pranayama (yogic breathing exercises) require slow breathing that ¿lls and empties the entire lungs. This is sometimes referred to by other authors as complete breathing. Complete breathing requires full use of the diaphragm, the thoracic intercostal muscles and the abdominal muscles:

• The diaphragm [Table 7.4] is the main muscle used in what is referred to as abdominal breathing [Section 8.2.8]. On inhalation the abdomen gets larger as the diaphragm is activated (tenses and shortens), and on exhalation the abdomen gets smaller as the diaphragm relaxes (lengthens) and returns to its original position.

• The thoracic intercostal muscles (intercostals) [Table 7.4] are used in what is referred to as thoracic breathing [Section 8.2.8]. On inhalation the thorax (chest and upper back) gets larger as the intercostals are activated (tensing and shortening), and on exhalation the thorax gets smaller as the intercostals relax (lengthen) and return to their original position.

• The abdominal muscles [Table 7.4] are used to make a forced exhalation or a complete exhalation. 
By maintaining the grip (tension and shortness) of the abdominal muscles after the exhalation it makes it easier to expand the chest on a subsequent inhalation.

Many people have dif¿culty breathing with both the diaphragm and the intercostal muscles and are unable to expand their thorax unless they breathe quite forcefully with relatively fast and deep breathing [Table 8.1]. Fast, deep breathing forces the abdominal muscles to become activated (tense) to get the air out quickly and fully and, since the abdominal muscles have no time to relax after the exhalation, the subsequent inhalation is done with the abdomen ¿rm, thus forcing the thorax (chest and upper back) to expand.

Similarly, there are many people who can not easily relax their abdomen. Their abdominal muscles hold so much tension that these people are unable to breathe into their abdomen, and are hardly able to use their diaphragm at all, unless they spend time focusing on relaxation and slower breathing [Table 8.1]. These people tend to be doing mainly thoracic breathing while doing any physical activity.

In terms of the bandhas, the complete inhalation, i.e. the maximum possible inhalation, can be done with a tha-uddiyana bandha (chest expansion) followed and supplemented by a tha-mula bandha (abdominal expansion), while the maximum possible exhalation can be done with a ha-mula bandha (abdominal contraction) followed and supplemented by a ha-uddiyana bandha (chest contraction).

Table 8.1 compares the effects of two extreme types of breathing (fast deep breathing compared to slow shallow or tidal breathing) on the various body systems. These are only two of the many breathing possibilities that exist and each have varying effects. There is no such thing as right or wrong breathing but one must use the type of breathing that is appropriate for the situation.

Both the thoracic breathing and abdominal breathing confer possible bene¿ts and disadvantages. Ideal yogic breathing is a combination of the most advantageous aspects of both fast, deep breathing and slow, shallow breathing [Table 8.1]. In ideal yogic breathing, the three central bandhas (jalandhara, uddiyana, and mula) [Section 7.4.1] are held throughout the breath cycle. To initially learn to maintain a grip on the three bandhas, the thorax should be kept expanded (tha-uddiyana bandha) throughout the breath cycle as it would be during thoracic breathing inhalation; the lower abdomen should be kept ¿rm and drawn inwards (ha-mula bandha), as in a forced exhalation; while the back of the neck is kept long and the chin kept slightly down and inwards (ha-jalandhara bandha) [Section 7.4.1].
In optimal yogic breathing, slow relaxed diaphragmatic breathing is used to respire only a small amount of air per minute, but with the chest and abdomen held in such a way that only a small volume of air is needed to ¿ll and then empty the lung. In the most advanced stages of pranayama the key emphasis should be not on increasing lung volume from breath to breath but rather on increasing the pressure in the chest with each inhale without increasing the volume. p238

Applied Anatomy and Physiology of Yoga http://anatomy.yogasynergy.com/book

Update 2


"I arrived just in time. Giving me a few lessons a week, he started with a simple asana practice. I was to establish a link between breath and movement. Breathing should be controlled hand movements, slower breathing, the slower the movement. Each asana followed repeated at least four times. After one hour lesson in a sitting position, I learned the sound Udzhdzhayi and be able to distinguish it from the nasal sound. He allowed me to begin the simplest Pranayama - Udzhdzhayi Anuloma and Udzhdzhayi Viloma.

Krishnamacharya used to tell me, "lift up your chest," for the fact that, due to the rise of my chest, I could fill the air flow based on my lungs. After that, he insisted on the exhale with the abdominal muscles and the perineum. Breathe in and out - of course, but with the insertion of pauses, everything changes. Coached control is felt as an affirmation of life and gives a sense of a better life, by controlling breathing and blood circulation, which are interrelated. This is what I felt.


UPDATE 2

Thank you to Enrique for sending through these pages from 

The first two are from Indra Devi's Yoga For you.

Indra Devi famously studied with Krishnamacharya  for a short period in the 1930s, is this how Krishnamacharya taught her to breath or an approach she embraced later based on other sources.

An earlier post on Indria Devi which includes 'In the shala', a chapter from one of her books on her experience studying with Krishnamacharya.

Friday, 8 November 2013
Photo: Indra Devi teaching Marilyn Monroe Yoga 1960 ALSO Indra Devi in Mysore







The second two pages are from are from an Italian edition of Yvonne's Millerand Guide pratique de HathaYoga. I can't read Italian, perhaps some of Italian readers of the blog might be able to offer a partial translation of the relevant paragraphs.

My earlier post on Yvonne Millerand

Wednesday, 10 October 2012
Yvonne Millerand student of Krishnamacharya in the 1960's inc. some excellent pictures.









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Simon Borg-Oliver and His business partner Bianca Machliss




Website


See also
Simon and Bianca's online course


Yoga Synergy Online Teacher Training and Education


Preview of Simon's excellent book Applied Anatomy and Physiology of Yoga



See also my earlier post on Simon's book