Tuesday, 27 August 2013

Sharath's video ' Guru to go' - "If everything was easy, there would no charm in that". Plus other videos from Alessandro

Still catching up on what I missed while I was away.


This video on Sharath came out made by Alessandro Sigismondi who I met on Manju's course last week, he was there shooting a documentary, this time on Manju. Alessandro is a lovely guy, you can't miss him, tall, really tall, just don't put your mat behind his as you'll be paranoid every time he jumps back to chatuaranga. He knew my blog too and asked me out of the blue how I was after the kidney stones, really sweet of him to ask.

Favourite quote from the video

"If everything was easy, there would no charm in that".
Not sure I will ever get the vast numbers on these world tours, or in the Mysore shala itself but what's the answer, turn people away? Sharath is in London today, I should have gone, perhaps I would have surprised myself and loved the atmosphere. I should go next year, just to see, perhaps it'll change my mind about Mysore too.


Merchandise, hmmmmm
 Second favourite quote

"When someone needs help, skip practice and go and help them".

Still uncomfortable with the whole 'Guru leading you to the light' thing, did cringe a bit at this shot.

"Only a guru can remove that ignorance in you and take you towards the brightness". 

Here's the full video, but you've seen it before right....



While I was in Rethymno, Crete another video came out, again beautifully shot by Alessandro. This was shot in and around the sights of Rethymno so loved that, M. and I watched it, getting excited at the places we'd already visited, days sometimes hours before.

And yet it made me uncomfortable. Make-up and Yoga makes me uncomfortable, Slinky evening dresses and practice makes me uncomfortable, Focusing attention on the Advanced, the more gymnastic/acrobatic postures makes me uncomfortable when perhaps we're trying to get passed that a little and suggest that the humblest of postures can also be the most advanced with a focused breath and attention. And asana in public makes me uncomfortable ( says me who once posted a picture of myself with my legs beghind my head in a bar as well as the fancy Advanced series shots I've posted here occasionally - hypocrite). But what made me most uncomfortable was the the shot towards the end where Sophie slips the straps off the dress and it falls to the ground..... Making Ashtanga sexy, presenting Yoga as Sexy, really? Is that necessary? I don't care how much sex sells, promotes, attracts interest

But then perhaps I'm being unfair, Alessandro's day job is advertising I believe, creating a little controversy is part of the game, it's not sex that sells perhaps but controversy. Ask yourself, every time a blog post pushes your buttons, if it was perhaps intentional and if your indignant response is playing right into that.

Alessandro and I had hoped to sit down together to do an interview for the blog, I wanted to ask him about the videos as well as what it's like following Sharath and Manju around, being behind the scenes as it where.... next time.

I love you really Alessandro please don't include a shot of my Utthita hasta Padangusthasana in your Manju video : )

Here's Alessandro's 'Lady in Black' Rethymno Video with Sofia Xirotiri



Sophia was practicing in the shala while I was there, a drop in I think rather than on the course, although perhaps Rethymno is her home shala. She has a very powerful 3rd series, strong and stable, amazing handstands. I'm sure I went through a couple of postures and with my slow breathing too only to find her still in the same handstand.

Here's Sophia again, this time in my beloved Athens, but shot by George Charisis·


And yet another from Alessandro, shot in Mysore this time....now practising asana in a busy Mysore Market make me well, you know, uncomfortable but I kind of love these too, damn fine asana beautifully shot, great colours, music whats not to love but can we have one shot at 3am while Mysore sleeps, nice and discreet...oh wait, Mysore never sleeps.




This last one though is perhaps my favourite of all these with the beautiful Anuraag from Ashtanga Yoga Ibiza as well as Gianrenato Marchisio from Yoga Sutra Studio Torino. I'm pretty sure I saw Gianrenato in Rethymno just finishing his practice before our first session with Manju Started.

Look at me the home ashtangi, name dropping



But all these Ashtanga videos....what's going on?

Is this a good thing?

**************

Here's Alessandro's Blogwebsite Digital Drishti

http://alessandrosigismondi.wordpress.com

his FB page

https://www.facebook.com/digitaldrishti

and Youtube channel

https://www.youtube.com/channel/UCGrYPGZabSjx0gSdszbhrgQ

....back to transcribing Manju's Q and A

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UPDATE
I still prefer those simple videos shot in actual shalas, the best ones are those where the room slowly fills up as the light comes in, no focus on any particular practitioner, each asana equal to any other.... just the objective gaze of a video camera stuck in the corner with the record button pressed. Endlessly fascinated by those, I guess by the practice itself, can watch hours of them... these I struggle to watch all the way to the end which is curious. By trying to show the extraordinary we're left with the ordinary. Sophie's practice for example is extraordinary, I've practiced a couple of mats away from her, the concentration, the focus but how to convey that, you'd think a shot of her holding some intricate posture would do it and yet it somehow distracts.... to hold the posture with such steadiness it's the breath, the bandhas, the mental discipline and yet we can't show any of these things, just the external form and even then it's the end result of all the hard work that gone into it,something else not shown....no wonder the videos become boring, all that is powerful in this practice is absent.

9 comments:

Anonymous said...

I feel a certain amount of boredom watching these last few. I am have given up watching porn. At least that gives addiction to illusion a tangible thrill. These "soft core ashtanga porn" videos, with visually-obsessed values have little to offer me. No, I won't practice in the morning. But at least I won't go to sleep, dreaming of being a video yogi on YouTube.

Grimmly said...

I still prefer those simple videos shot in actual shalas, the best ones are those where the room slowly fills up as the light comes in, no focus on any particular practitioner, each asana equal to any other.... just the objective gaze of a video camera stuck in the corner with the record button pressed. Endlessly fascinated by those, I guess by the practice itself, can watch hours of them... these I struggle to watch all the way to the end which is curious. By trying to show the extraordinary we're left with the ordinary. Sophie's practice for example is extraordinary, I've practiced a couple of mats away from her, the concentration, the focus but how to convey that, you'd think a shot of her holding some intricate posture would do it and yet it somehow distracts.... to hold the posture with such steadiness it's the breath, the bandhas, the mental discipline and yet we can't show any of these things, just the external form and even then it's the end result of all the hard work that gone into it,something else not shown....no wonder the videos become boring, all that is powerful in this practice is absent.

Megan said...

Maybe this makes me a prude but I have a visceral reaction to asana videos shot in India, just because it's so disrespectful to dress like that in public in Mysore. Even if one couldn't grasp that without being told, it's written on the handout they distribute when you arrive at KPJAYI: don't wear yoga clothes or other tight or revealing clothes out on the street. I think it also seems to exploit the "other"ness of Indian culture, even if the people making the video had good intentions. But I'm a little squirmy about asana videos in the first place, except for the ones you describe above, which are beautiful because you can see real people doing the work of their real, usually wonderfully average and difficult, daily practice.

D said...

All asana videos - except those created for the purpose of instruction - make me uncomfortable as well. You could also add to that the trend of having your yoga portrait taken in India, doing Kapotasana amid all the flowers and powders at Devaraj market. This reaction probably makes me an Ashtangi prude as well and I haven't fully analyzed my reaction to it. It's quite likely, as you said, "all that is powerful in this practice is absent" - by trying to nail it down, capture it in a form (no matter how beautiful the form) that act of capturing moves it from something special, almost sacred, into something mundane, a commodity. Just look at the number of profile photos on Facebooks featuring yogis in different poses with a token Indian or two in the background for "context".

I guess I really am an Ashtangi prude!

Anonymous said...

I am taking part in the London gathering at the moment and finding it challenging on a number of levels, pertly if I am honest because I am one of the %10 who are a bit old, stiff, large, new, whatever.
We all know its not about that but even so, in such a large group it can be quite affecting. It can also feel quite inspiring.
There is a sense that a lot of people know each other or have met in Mysore and also that people have made sacrifices and come distance to be here, which is great.
The sound of the breath in room is amazing. It sounds like there is a storm outside and Sharath seems like a nice guy (he does a lot of counting)
The energy seemed different today. More relaxed and focused. Its day three so I think people are settling a bit. I look forward to Friday when everyone is practicing and ending together.
There are also some cringy moments as well such as a women hurling herself at Sharaths feet when most where content with a simple 'Thank you'
What my view will be at the end I am really not sure. I deffinit dont regret coming as its a very interesting experience in its own right and it is really nice to get a touch from the boss :-)
B

Grimmly said...

I guess had the same reaction but put it down to just being English, not wanting to be a bother : )

Grimmly said...

but on the other hand, it's harmless, a bit of fun, worse for me are pictures of people, capturing the local character. I don't know, never had anyone take a photo of me here as a 'real englishman', I did take a photo of a Maiko in Kyoto once but even then I had to wait until she passed and snapped her from behind, perhaps that was worse, still felt guilty about it.

Grimmly said...

Hi B. I really must go one year just to see...feel, what it's like, be nice to practice with a few people I know in London all in the same room. Actually it would be good to do the whole week rather than just the one day, wont kill me to practice in a huge room for once, sure I'd end up loving the whole thing. thanks for sharing this, let us know how you feel about the whole thing after friday perhaps.

Grimmly said...

InsideOwl exploring why one might find these videos... uncomfortable

http://www.insideowl.com/2013/08/31/samsara-style/

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